The Heart of the White Mountains, Their Legend and Scenery / Tourist's Edition

by Samuel Adams Drake

AFTER the repast we walked out, Private Doyle and I, upon the narrow platform behind the house. According to every appearance I had reached Ultima Thule.

For some moments—moments not to be forgotten—we stood there silent. Neither stirred. The scene was too tremendous to be grasped in an instant. A moment was needed to recover one’s moral equipoise, as well as for the unpractised eye to adjust itself to the vastness of the landscape, and to the multitude of objects, strange objects, everywhere confronting it. My own sensations were at first too vague for analysis, too tumultuous for expression. The flood choked itself.

All seemed chaos. On every side the great mountains fell away like mists of the morning, dispersing, receding to an endless distance, diminishing, growing more and more vague, and finally vanishing on a limitless horizon neither earth nor sky. Never before had such a spectacle offered itself to my gaze. The first idea was of standing on the threshold of another planet, and of looking down upon this world of ours outspread beneath; the second, of being face to face with eternity itself. No one ever felt exhilaration at first. The scene is too solemnizing.

But by degrees order came out of this chaos. The bewildering throng of mountains arranged itself in chains, clusters, or families. Hills drew apart, valleys opened, streams twinkled in the sun, towns and villages clung to the skirts of the mountains or dotted the rich meadows; but all was mysterious, all as yet unreal.

Comprehending at last that all New England was under my feet, I began to search out certain landmarks. But this investigation is fatiguing: besides, it conducts to nothing—absolutely nothing. Pointing to a scrap of blue haze in the west, my companion observed, “That is Mount Mansfield;” and I, mechanically, repeated, “Ah! that is Mount Mansfield.” It was nothing. Distance and Infinity have no more relation than Time and Eternity. It sufficed for me, God knows, to be admitted near the person of the great autocrat of New England, while under skies so fair and radiant he gave audience to his imposing and splendid retinue of mountains.

But still, independent of the will, the eye flitted from peak to peak, from summit to summit, making the slow circuit of this immense horizon, hovering at last over a band of white gleaming far away in the south-east like a luminous cloud, on whose surface objects like birds reposed. It was the sea, and the specks ships sailing on the main. With the aid of a telescope we could even tell what sails the vessels carried. In these few seconds the eye had put a girdle of six hundred miles about.[25]

I consider this first introduction to what the peak of Mount Washington looks down upon an epoch in any man’s life. I saw the whole noble company of mountains from highest to lowest. I saw the deep depressions through which the Connecticut, the Merrimac, the Saco, the Androscoggin, wind toward the lowlands. I saw the lakes which nurse the infant tributaries of those streams. I saw the great northern forests, the notched wall of the Green Mountains, the wide expanse of level land, flat and heavy like the ocean, and finally the ocean itself. And all this was mingled in one mighty scene.

The utmost that I can say of this view is that it is a marvel. You receive an impression of the illimitable such as no other natural spectacle—no, not even the sea—can give. Astonishment can go no farther. Nevertheless, the truth is that you are on too high a view-point for the most effective grasp of mountain scenery. This immense height renders near objects indistinct, obscures the more distant. Seldom, indeed, is the land seen, even under favoring conditions, except through a soft haze, which, you are surprised to notice, becomes more and more transparent as you descend. The eye explores this clair-obscur, and gradually discerns this or that object. It is true that you see to a great distance, but you do not distinguish anything clearly. This is the rule, derived from many observations, to which the crystal air of autumn and winter makes the rare and fortunate exception.

There is a more cogent reason why the view from Mount Washington is inferior to that from other and lower summits. Everything is below you, and, naturally, therefore, any picture of these mountains not showing the cloud-capped dome of the monarch, attended by his cortége of grand peaks—the central, dominating, perfecting group—must be essentially incomplete. Imagine Rome without St. Peter’s, or, to come nearer home, Boston without her State House! One word more: from this lofty height you lose the symmetrical relation of the lesser summits to the grand whole. Even these signal embodiments of heroic strength—the peaks of Jefferson, Adams, and Madison—so vigorously self-asserting that what they lose in stature they gain by a powerful individuality, even these suffer a partial eclipse; but the summits stretching to the southward are so dwarfed as to be divested of any character as typical mountain structures. What fascinates us is the “sublime chaos of trenchant crests, of peaks shooting upward;” and the charm of the view—such at least is the writer’s conviction—resides rather in the immediate surroundings than in the extent of the panorama, great as that unquestionably is.

One thing struck me with great force—the enormous mass of the mountain. The more you realize that the dependent peaks, stretching eight miles north, and as many south, are nothing but buttresses, the more this prodigious weight amazes. Two long spurs, divided by the valley of the Rocky Branch, also descend into the Saco Valley as far as Bartlett; and another, shorter, but of the same indestructible masonry, is traced between the valleys of the Ammonoosuc and of Israel’s River. In a word, as the valleys lie and the roads run, we must travel sixty or seventy miles around in order to make the circuit of Mount Washington at its base.