The Heart of the White Mountains, Their Legend and Scenery / Tourist's Edition

by Samuel Adams Drake

THE entrance to North Conway is, without doubt, the most beautiful and imposing introduction to the high mountains.

Although the traveller has for fifty miles skirted the outlying ranges, catching quick-shifting glimpses of the great summits, yet, when at last the train swings round the foot of the Moat range into the Saco Valley, so complete is the transition, so charming the picture, that not even the most apathetic can repress a movement of surprise and admiration. This is the moment when every one feels the inadequacy of his own conceptions.

Nature has formed here a vast antechamber, into which you are ushered through a gate-way of mountains upon the numerous inner courts, galleries, and cloisters of her most secluded retreats. Here the mountains fall back before the impetuous flood of the Saco, which comes pouring down from the summit of the great Notch, white, and panting with the haste of its flight. Here the river gives rendezvous to several of its larger affluents—the East Branch, the Ellis, the Swift—and, like an army taking the field, their united streams, sweeping grandly around the foot of the last mountain range, emerge into the open country. Here the valley, contracted at its extremity between the gentle slope of Kearsarge and the abrupt declivities of Moat, encloses an ellipse of verdant and fertile land ravishing to behold, skirted on one side by thick woods, behind which precipices a thousand feet high rise black and threatening, overlooked on the other by a high terrace, along which the village is built. It is the inferior summit of Kearsarge, which descends by a long, regular slope to the intervale at its upper end, while a secondary ridge of the Moats, advancing on the opposite side, drops into it by a precipice. The superb silver-gray crest of Kearsarge is seen rising in a regular pyramid behind the right shoulder of its lower summit. Ordinarily the house perched on the top is seen as distinctly as those in the village. It is the last in the village.

Looking up through this verdant mountain park, at a distance of twenty miles, the imposing masses of the great summits seem scaling the skies. Then, heavily massed on the right, comes the Carter range, divided by the cup-shaped dip of the Carter Notch; then the truncated cone of Double-Head; and then, with outworks firmly planted in the valley, the glittering pinnacle of Kearsarge. The mountain in front of you, looking up the village street, is Thorn Mountain, on the other side of which is Jackson, and the way up the Ellis Valley to the Pinkham Notch, the Glen House, Gorham, and the Androscoggin.

The traveller, who is ushered upon this splendid scene with the rapidity of steam, perceives that he is at last among real mountains, and quickly yields to the indefinable charm which from this moment surrounds and holds him a willing captive.

Looking across the meadow from the village street, the eye is stopped by an isolated ridge of bare, overhanging precipices. It is thrust out into the valley from Moat Mountain, of which it forms a part, presenting two singular, regularly arched cliffs, seven hundred to nine hundred and fifty feet in height toward the village. The green forest underneath contrasts vividly with the lustrous black of these precipitous walls, which glisten brightly in the sunshine, where they are wet by tiny streams flowing down. On the nearest of these is a very curious resemblance to the head and shoulders of a horse in the act of rearing, occasioned by a white incrustation on the face of the cliff. This accident gives to it the name of White Horse Ledge. All marriageable ladies, maiden or widow, run out to look at it, in consequence of the belief current in New England that if, after seeing a white horse, you count a hundred, the first gentleman you meet will be your future husband! Underneath this cliff a charming little lake lies hid.

Next beyond is the Cathedral Ledge, so called from the curious rock cavity it contains; and still farther up the valley is Humphrey’s Ledge, one of the finest rock-studies of them all when we stand underneath it. But the reader now has a general acquaintance with North Conway, and with its topography. He begins his study of mountain beauty in a spirit of loving enthusiasm, which leads him on and on to the ripeness of an education achieved by simply throwing himself upon the bosom of indulgent Nature, putting the world as far as possible behind him.

But now from these masses of hard rock let us turn once more to the valley, where the rich intervales spread an exhaustless feast for the eye. If autumn be the season, the vase-like elms, the stacks of yellow corn, the golden pumpkins looking like enormous oranges, the floor-cloth of green and gold damasked with purple gorse and coppice, give the idea of an immense table groaning beneath its luxurious weight of fruit and flowers.