The wild and bristling little mountain range on the east side of North Conway embodies a good deal of picturesque character. It is there our way lies to Artists’ Falls, which are on a brook issuing from these Green Hills. I found the walk, following its windings, more remunerative than the falls themselves. The brook, flowing first over a smooth granite ledge, collects in a little pool below, out of which the pure water filters through bowlders and among glittering pebbles to a gorge between two rocks, down which it plunges. The beauty of this cascade consists in its waywardness. Now it is a thin sheet, flowing demurely along; now it breaks out in uncontrollable antics; and at length, as if tired of this sport, darts like an arrow down the rocky fissure, and is a mountain brook again.
The ascent of Kearsarge and of the Moats fittingly crowns the series of excursions which are the most attractive feature of out-of-door life at North Conway. The northern peak of Moat is the one most frequently climbed, but the southern affords almost equally admirable views of the Saco, the Ellis, and the Swift River valleys, with the mountain chains enclosing them. The prospect here is, however, much the same as that obtained from Chocorua, which is seen rising beyond the Swift River valley. To that description I must, therefore, refer the reader, who is already acquainted with its principal features.
The high ridge is an arid and desolate heap of summits stripped bare of vegetation by fire. When this fire occurred, twenty odd years ago, it drove the bears and rattlesnakes from their forest homes in great numbers, so that they fell an easy prey to their destroyers. A depression near its centre divides the ridge in two, constituting, in effect, two mountains. We crossed the range in its whole length, and, after newly refreshing ourselves with the admirable views had from its greater elevation, descended the northern peak to Diana’s Baths. Probably the most striking view of the Moats is from Conway. Here the summits, thrown into a mass of lawless curves and blunted, prong-like protuberances, rear a blackened and weird-looking cluster on high. But for a wide region they divide with Chocorua the honors of the landscape, constituting, at Jackson especially, a large and imposing background, massively based and buttressed, and cutting through space with their trenchant edge.
In the winter of 1876, finding myself at North Conway, I determined to make the attempt to ascend Mount Kearsarge, notwithstanding two-thirds of the mountain were shrouded in snow, and the bare shaft constituting the spire sheathed in glittering ice. The mountain had definitively gone into winter-quarters.
I was up early enough to surprise, all at once, the unwonted and curiously-blended effect of moonlight, starlight, and the twilight of dawn. The new moon, with the old in her arms, balanced her shining crescent on the curved peak of Moat Mountain. All these high, surrounding peaks, carved in marble and flooded with effulgence, impressed the spirit with that mingled awe and devotion felt among the antique monuments of some vast cemetery. The sight thrilled and solemnized by its chaste magnificence. Glittering stars, snow-draped summits, black mountains casting sable draperies upon the dead white of the valley, constituted a scene of sepulchral pomp into which the supernatural entered unchallenged. One by one the stars went out. The moon grew pale. A clear emerald, overspreading the east, was reflected from lofty peak and tapering spire.
Day broke bright, clear, and crisp. There, again, was the same matchless array of high and noble summits, sitting on thrones of alabaster whiteness. While the moon still lingered in the west, the broad red disk of the sun rose over the wooded ridges in the east. So sun and moon, monarch and queen, saluted each other. One gave the watchword, and descended behind the moated mountain; the other ascended the vacant throne. Thus night and day met and exchanged majestic salutation in the courts of the morning.
The mercury stood at three degrees below zero in the village, when I set out on foot for the mountain. A light fall of snow had renewed the Christmas decorations. The trees had newly-leaved and blossomed. Beautiful it was to see the dark old pines thick-flaked with new snow, and the same feathery substance lodged on every twig and branchlet, tangle of vines, or tuft of tawny yellow grass. Fir-trees looked like gigantic azaleas; thickets like coral groves. Nothing too slender or too fragile for the white flight to alight upon. Talk of decorative art! Even the telegraph-wires hung in broad, graceful festoons of white, and the poor washer-woman’s clothes-line was changed into the same immaterial thing of beauty.
The ascent proved more toilsome than I had anticipated, as my feet broke through the frozen crust at every step. But if the climb had been difficult when in the woods, it certainly presented few attractions when I emerged from them half a mile below the summit. I found the surface of the bare ledges, which now continue to the top of the mountain, sheeted in ice, smooth and slippery as glass.