[3] Adobe, Spanish. The same material is much used throughout New Mexico, Arizona, California, Utah, and Colorado.
[4] Casas Grandes, or Casas Montezumas. Lieut. Emory, U.S.A., thus describes one seen on the Gila: "About the noon halt a large building was seen on the left. It was the remains of a three-story mud house, sixty feet square, and pierced for doors and windows. The walls were four feet thick. The whole interior of the building had been burned out and much defaced." Casa Grande is on a map of 1720; is on the Gila.
FOLK LORE OF THE PUEBLOS.
While professing Christianity, the Pueblo Indians have mostly kept some part of the idolatrous faith of their fathers. Thus the two have become curiously blended in their worship. We often see the crucifix, or pictures of the Virgin hanging on the walls of their dwellings, but neither the coming of the whites, nor the zeal of missionaries could wholly eradicate the deeply grounded foundations of their ancient religion. The little we know about this belief, in its purity, comes to us chiefly in the form of legendary lore, although since the Zuñi have been studied[1] with this object we have a much clearer conception of it than ever before.
By this uncertain light we find it to be a religion of symbols and mysteries, primarily founded upon the wondrous workings of nature for man's needs, and so embodying philosophy growing out of her varied phenomena. Therefore sun, moon, and stars, earth, sky, and sea, and all plants, animals, and men were supposed to bear a certain mystical relation to each other in the plan of the universe. Instead of one all-supreme being, the Zuñi worshipped many gods each of whom was supposed to possess some special attribute or power. Some were higher, some lower down in the scale of power.
The phenomena of nature, being more mysterious, were thought to be more closely related to the higher gods. If there was drought in the land, the priests prayed for rain from the housetops, as the Prophet Elijah did in the wilderness. Each year, in the month of June, they went up to the top of the highest mountain, which they called the "Mother of Rain," to perform some secret ceremony touching the coming harvest. And because rain seldom falls in this country, they made earnest supplication to water, as a beneficent spirit, who ascended and descended the heavens in their sight, and to the sun as the twin deity in whom lay the power of life and death,—to ripen the harvest or wither all living things away into dust.
Like the ancient Egyptians, of whom they constantly remind us, the Zuñi believed animals possessed certain mystic powers, not belonging to man, so investing them with a sacred character. Beasts of prey were supposed to have magic power over other animals, hence the bear stood higher in the Zuñi mythology than the deer or antelope. The Indians call this magic power medicine, but the Zuñi gave it form to his own mind—the substance of a thing unseen—by making a stone image of the particular animal he had chosen for his medicine, which he carried with him to war or the chase as a charm of highest virtue. We call this fetich-worship.
Each pueblo had one or more close, underground cells[2] in which certain mysterious rites, connected, it is believed, with the worship of the people, were solemnized. We are told that, at Pecos, the priests kept watch night and day over a sacred fire, which was never suffered to go out for a single moment, for fear some calamity would instantly happen to the tribe. It is also said that when Pecos was assaulted and sacked by a hostile tribe, the priests kept their charge over the sacred fire while the tumult of battle raged about them. And when, at length, the tribe itself had nearly died out, the survivors took the sacred fire with them to another people, beyond the mountains, where it is kept burning as the symbol of an ever-living faith.