It is a fact, well known to students of folk-lore, that those customs or usages relating to marriage are not only among the oldest, but have become too firmly intrenched in the popular mind to be easily dislodged. Thus, the ceremony of Throwing the Shoe continues to hold an honored place among marriage customs. In another place, it has been referred to as sometimes employed in the common concerns of life. But in the case of marriage, a somewhat deeper significance is attached to it. It is but fair to say, however, that authorities differ widely as to its origin, some referring it to the testimony of the Scriptures (Deut. xxv.), where the loosing of a shoe from a man’s foot by the woman he has refused to marry, is made an act of solemn renunciation in the presence of the elders. Thereafter, the obdurate one was to be held up to the public scorn, and his house pointed at as “the house of him that hath his shoe loosed.” So again we read in Ruth of a man who plucked off his shoe, and gave it to his kinsman, as an evidence to the act of renunciation, touching the redeeming of land, and this, we are there told, was then the manner in Israel. Hence, it has been very plausibly suggested, especially by Mr. Thrupp, in “Notes and Queries,” that throwing an old shoe after a bride was at first a symbol of renunciation of authority over her, by her father or guardian. However that may be, it is certain that no marriage ceremony is considered complete to-day without it, although there is danger of its being brought into ridicule, and so into disrepute, by such nonsensical acts as tying on old shoes to the bride’s trunks, or to some part of her carriage, as I have seen done here in New England, the original design of the custom being lost sight of in the too evident purpose to make the wedded pair as conspicuous as possible, and their start on life’s journey an occasion for the outbreak of ill-timed buffoonery.
In “Primitive Marriage” Mr. McLennan thinks that throwing the shoe may be a relic of the ancient custom, still kept up among certain Hindu tribes, where the bride, either in fact or in appearance only, is forcibly carried off by the groom and his friends, who are, in turn, themselves hotly pursued and in good earnest pelted with all manner of missiles, stones included, by the bride’s kinsfolk and tribesmen. This sham assault usually ends in the pursuers giving up the chase,—as, indeed, was intended beforehand,—and is probably a survival of the earliest of marriage customs, namely, that of stealing the bride, as recorded in ancient history. But this explanation is chiefly interesting as fixing the status of woman in those primitive days, when she was more like the slave of man than his equal. That relation is now so far reversed, however, that it is now the man who has become the humble suitor and declared servitor of womankind. So, at least, he insists. Now and then, though quite rarely, the old barbaric custom is recalled by the forcible abduction of some unwilling victim by her rejected lover; but only in a few instances, so far as we know, has a bride been kidnapped and held to ransom, in this country, before being restored to her friends. The American Indians are known to have practised this custom of stealing the bride, quite after the manner described by Mr. McLennan as in vogue among the Hindus.
Even royalty itself must bow to the behests of old custom, as well as common mortals. When the Duke and Duchess of Albany left Windsor, while they were still within the private grounds, the bridegroom’s three brothers and Princess Louise and Princess Beatrice ran across a part of the lawn enclosed within a bend of the drive, each armed with a number of old shoes, with which they pelted the “happy pair.” The Duke of Albany returned the fire from the carriage with the ammunition supplied him by his friendly assailants, causing the heartiest laughter by a well-directed shot at the Duke of Edinburgh.
It was always reckoned a good omen if the sun shone on a couple when coming out of church. Hence the saying: “Happy is the bride that the sun shines on.”
Every one knows, if not from experience, at least by observation, what self-consciousness dwells in a newly married pair—what pains they take to appear like old married folk, and what awkward attempts they make to assume the dégagé air of ordinary travellers. As touching this feature of the subject, I one day saw a carriage driven past me, at which every one stopped to look, and stare in a way to attract general attention, and after looking, gave a broad grin. The reason was apparent. On the back of the carriage was hung a large placard, labelled “Just Married.” Several old shoes, besides some long streamers of cheap cotton cloth, were dangling from the trunks behind. When the carriage, thus decorated, drew up at the station, followed by a hooting crowd of street urchins, it was greeted with roars of laughter by the throng of idlers in waiting, while the unconscious cause of it all first learned on alighting what a sensation they had so unwittingly created.
The custom of throwing rice over a bride, as an emblem of fruitfulness, also is very old, though in England it was originally wheat that was cast upon her head. The poet Herrick says to the bride,
“While some repeat
Your praise and bless you sprinkling you with wheat.”
All the sentiment of this pretty and very significant custom is in danger of being killed by excess on the part of the performers, who so often overdo the matter as to render themselves supremely ridiculous, and the bride very uncomfortable, to say the least. To scatter rice, as if one were sowing it by the acre, when a handful would amply fulfil all the requirements of the custom, is something as if an officiating clergyman should pour a pailful of water on an infant’s head, instead of sprinkling it, at a baptism.
It is not surprising that now and then cases arise where a newly married couple try to escape from the shower prepared for them by giving these over-zealous assistants the slip. A chase then begins corresponding somewhat to that just related of ignorant barbarians; and woe to the runaways if the pursuers should catch up with them!
The custom of furnishing bride-cake at a wedding is said to be a token of the firm union between man and wife, just as from immemorial time breaking bread has been held to have a symbolic meaning. The custom is centuries old. At first it was only a cake of wheat or barley. What it is composed of now, no man can undertake to say. That it is conducive to dreaming, or more probably to nightmare, few, we think, will care to dispute.