Anything which can be made to hitch on invariably to a definite idea that can carry some distance—say an inch at the least, and which can be repeated at pleasure, can be pressed into the service of language. Mrs. Bentley, wife of the famous Dr. Bentley of Trinity College, Cambridge, used to send her snuff-box to the college buttery when she wanted beer, instead of a written order. If the snuff-box came the beer was sent, but if there was no snuff-box there was no beer. Wherein did the snuff-box differ more from a written order, than a written order differs from a spoken one? The snuff-box was for the time being language. It sounds strange to say that one might take a pinch of snuff out of a sentence, but if the servant had helped him or herself to a pinch while carrying it to the buttery this is what would have been done; for if a snuff-box can say “Send me a quart of beer,” so efficiently that the beer is sent, it is impossible to say that it is not a bonâ fide sentence. As for the recipient of the message, the butler did not probably translate the snuff-box into articulate nouns and verbs; as soon as he saw it he just went down into the cellar and drew the beer, and if he thought at all, it was probably about something else. Yet he must have been thinking without words, or he would have drawn too much beer or too little, or have spilt it in the bringing it up, and we may be sure that he did none of these things.
You will, of course, observe that if Mrs. Bentley had sent the snuff-box to the buttery of St. John’s College instead of Trinity, it would not have been language, for there would have been no covenant between sayer and sayee as to what the symbol should represent, there would have been no previously established association of ideas in the mind of the butler of St. John’s between beer and snuff-box; the connection was artificial, arbitrary, and by no means one of those in respect of which an impromptu bargain might be proposed by the very symbol itself, and assented to without previous formality by the person to whom it was presented. More briefly, the butler of St. John’s would not have been able to understand and read it aright. It would have been a dead letter to him—a snuff-box and not a letter; whereas to the butler of Trinity it was a letter and not a snuff-box.
You will also note that it was only at the moment when he was looking at it and accepting it as a message that it flashed forth from snuff-box-hood into the light and life of living utterance. As soon as it had kindled the butler into sending a single quart of beer, its force was spent until Mrs. Bentley threw her soul into it again and charged it anew by wanting more beer, and sending it down accordingly.
Again, take the ring which the Earl of Essex sent to Queen Elizabeth, but which the queen did not receive. This was intended as a sentence, but failed to become effectual language because the sensible material symbol never reached those sentient organs which it was intended to affect. A book, again, however full of excellent words it may be, is not language when it is merely standing on a bookshelf. It speaks to no one, unless when being actually read, or quoted from by an act of memory. It is potential language as a lucifer-match is potential fire, but it is no more language till it is in contact with a recipient mind, than a match is fire till it is struck, and is being consumed.
A piece of music, again, without any words at all, or a song with words that have nothing in the world to do with the ideas which it is nevertheless made to convey, is often very effectual language. Much lying, and all irony depends on tampering with covenanted symbols, and making those that are usually associated with one set of ideas convey by a sleight of mind others of a different nature. That is why irony is intolerably fatiguing unless very sparingly used. Take the song which Blondel sang under the window of King Richard’s prison. There was not one syllable in it to say that Blondel was there, and was going to help the king to get out of prison. It was about some silly love affair, but it was a letter all the same, and the king made language of what would otherwise have been no language, by guessing the meaning, that is to say by perceiving that he was expected to enter then and there into a new covenant as to the meaning of the symbols that were presented to him, understanding what this covenant was to be, and acquiescing in it.
On the other hand, no ingenuity can torture language into being a fit word to use in connection with either sounds or any other symbols that have not been intended to convey a meaning, or again in connection with either sounds or symbols in respect of which there has been no covenant between sayer and sayee. When we hear people speaking a foreign language—we will say Welsh—we feel that though they are no doubt using what is very good language as between themselves, there is no language whatever as far as we are concerned. We call it lingo, not language. The Chinese letters on a tea-chest might as well not be there, for all that they say to us, though the Chinese find them very much to the purpose. They are a covenant to which we have been no parties—to which our intelligence has affixed no signature.
We have already seen that it is in virtue of such an understood covenant that symbols so unlike one another as the written word “stone” and the spoken word alike at once raise the idea of a stone in our minds. See how the same holds good as regards the different languages that pass current in different nations. The letters p, i, e, r, r, e convey the idea of a stone to a Frenchman as readily as s, t, o, n, e do to ourselves. And why? because that is the covenant that has been struck between those who speak and those who are spoken to. Our “stone” conveys no idea to a Frenchman, nor his “pierre” to us, unless we have done what is commonly called acquiring one another’s language. To acquire a foreign language is only to learn and adhere to the covenants in respect of symbols which the nation in question has adopted and adheres to.
Till we have done this we neither of us know the rules, so to speak, of the game that the other is playing, and cannot, therefore, play together; but the convention being once known and assented to, it does not matter whether we raise the idea of a stone by the word “lapis,” or by “lithos,” “pietra,” “pierre,” “stein,” “stane” or “stone”; we may choose what symbols written or spoken we choose, and one set, unless they are of unwieldy length will do as well as another, if we can get other people to choose the same and stick to them; it is the accepting and sticking to them that matters, not the symbols. The whole power of spoken language is vested in the invariableness with which certain symbols are associated with certain ideas. If we are strict in always connecting the same symbols with the same ideas, we speak well, keep our meaning clear to ourselves, and convey it readily and accurately to any one who is also fairly strict. If, on the other hand, we use the same combination of symbols for one thing one day and for another the next, we abuse our symbols instead of using them, and those who indulge in slovenly habits in this respect ere long lose the power alike of thinking and of expressing themselves correctly. The symbols, however, in the first instance, may be anything in the wide world that we have a fancy for. They have no more to do with the ideas they serve to convey than money has with the things that it serves to buy.
The principle of association, as every one knows, involves that whenever two things have been associated sufficiently together, the suggestion of one of them to the mind shall immediately raise a suggestion of the other. It is in virtue of this principle that language, as we so call it, exists at all, for the essence of language consists, as I have said perhaps already too often, in the fixity with which certain ideas are invariably connected with certain symbols. But this being so, it is hard to see how we can deny that the lower animals possess the germs of a highly rude and unspecialised, but still true language, unless we also deny that they have any ideas at all; and this I gather is what Professor Max Müller in a quiet way rather wishes to do. Thus he says, “It is easy enough to show that animals communicate, but this is a fact which has never been doubted. Dogs who growl and bark leave no doubt in the minds of other dogs or cats, or even of man, of what they mean, but growling and barking are not language, nor do they even contain the elements of language.” [18]
I observe the Professor says that animals communicate without saying what it is that they communicate. I believe this to have been because if he said that the lower animals communicate their ideas, this would be to admit that they have ideas; if so, and if, as they present every appearance of doing, they can remember, reflect upon, modify these ideas according to modified surroundings, and interchange them with one another, how is it possible to deny them the germs of thought, language, and reason—not to say a good deal more than the germs? It seems to me that not knowing what else to say that animals communicated if it was not ideas, and not knowing what mess he might not get into if he admitted that they had ideas at all, he thought it safer to omit his accusative case altogether.