Says he, There is as weighty reason 415
For secresy in love as treason.
Love is a burglarer, a felon,
That at the windore-eyes does steal in
To rob the heart, and with his prey
Steals out again a closer way, 420
Which whosoever can discover,
He's sure (as he deserves) to suffer.
Love is a fire, that burns and sparkles
In men as nat'rally as in charcoals,
Which sooty chymists stop in holes 425
When out of wood they extract coals:
So lovers should their passions choak,
That, tho' they burn, they may not smoak.
'Tis like that sturdy thief that stole
And dragg'd beasts backwards into's hole: 430
So Love does lovers, and us men
Draws by the tails into his den,
That no impression may discover,
And trace t' his cave, the wary lover,
But if you doubt I should reveal 435
What you entrust me under seal.
I'll prove myself as close and virtuous
As your own secretary ALBERTUS.
Quoth she, I grant you may be close
In hiding what your aims propose. 440
Love-passions are like parables,
By which men still mean something else,
Though love be all the world's pretence,
Money's the mythologick sense;
The real substance of the shadow, 445
Which all address and courtship's made to.
Thought he, I understand your play,
And how to quit you your own way:
He that will win his dame, must do
As Love does when he bends his bow; 450
With one hand thrust the lady from,
And with the other pull her home.
I grant, quoth he, wealth is a great
Provocative to am'rous heat.
It is all philters, and high diet, 455
That makes love rampant, and to fly out:
'Tis beauty always in the flower,
That buds and blossoms at fourscore:
'Tis that by which the sun and moon
At their own weapons are out-done: 460
That makes Knights-Errant fall in trances,
And lay about 'em in romances:
'Tis virtue, wit, and worth, and all
That men divine and sacred call:
For what is worth in any thing, 465
But so much money as 'twill bring?
Or what, but riches is there known,
Which man can solely call his own
In which no creature goes his half;
Unless it be to squint and laugh? 470
I do confess, with goods and land,
I'd have a wife at second-hand;
And such you are. Nor is 't your person
My stomach's set so sharp and fierce on;
But 'tis (your better part) your riches, 475
That my enamour'd heart bewitches.
Let me your fortune but possess,
And settle your person how you please:
Or make it o'er in trust to th' Devil;
You'll find me reasonable and civil. 480
Quoth she, I like this plainness better
Than false mock-passion, speech, or letter,
Or any feat of qualm or sowning,
But hanging of yourself, or drowning.
Your only way with me to break 485
Your mind, is breaking of your neck;
For as when merchants break, o'erthrown,
Like nine-pins they strike others down,
So that would break my heart; which done,
My tempting fortune is your own, 490
These are but trifles: ev'ry lover
Will damn himself over and over,
And greater matters undertake
For a less worthy mistress' sake:
Yet th' are the only ways to prove 495
Th' unfeign'd realities of love:
For he that hangs, or beats out's brains,
The Devil's in him if he feigns.
Quoth HUDIBRAS, This way's too rough
For mere experiment and proof: 500
It is no jesting, trivial matter,
To swing t' th' air, or douce in Water,
And, like a water-witch, try love;
That's to destroy, and not to prove;
As if a man should be dissected 505
To find what part is disaffected.
Your better way is to make over,
In trust, your fortune to your lover.
Trust is a trial; if it break,
'Tis not so desp'rate as a neck. 510
Beside, th' experiment's more certain;
Men venture necks to gain a fortune:
The soldier does it ev'ry day.
(Eight to the week) for sixpence pay:
Your pettifoggers damn their souls, 515
To share with knaves in cheating fools:
And merchants, vent'ring through the main,
Slight pirates, rocks, and horns, for gain.
This is the way I advise you to:
Trust me, and see what I will do. 520
Quoth she, I should be loth to run
Myself all th' hazard, and you none;
Which must be done, unless some deed
Of your's aforesaid do precede.
Give but yourself one gentle swing 525
For trial, and I'll cut the string:
Or give that rev'rend head a maul,
Or two, or three, against a wall,
To shew you are a man of mettle,
And I'll engage myself to settle. 530
Quoth he, My head's not made of brass,
As Friar BACON'S noodle was;
Nor (like the Indian's skull) so tough
That, authors say, 'twas musket-proof,
As yet on any new adventure, 535
As it had need to be, to enter.
You see what bangs it has endur'd,
That would, before new feats, be cur'd.
But if that's all you stand upon,
Here, strike me luck, it shall be done. 540
Quoth she, The matter's not so far gone
As you suppose: Two words t' a bargain:
That may be done, and time enough,
When you have given downright proof;
And yet 'tis no fantastic pique 545
I have to love, nor coy dislike:
'Tis no implicit, nice aversion
T' your conversation, mein, or person,
But a just fear, lest you should prove
False and perfidious in love:, 550
For if I thought you could be true,
I could love twice as much as you.
Quoth he, My faith as adamanatine,
As chains of destiny, I'll maintain:
True as APOLLO ever spoke, 555
Or Oracle from heart of oak;
And if you'll give my flame but vent,
Now in close hugger-mugger pent,
And shine upon me but benignly,
With that one, and that other pigsney, 560
The sun and day shall sooner part,
Than love or you shake off my heart;
The sun, that shall no more dispense
His own but your bright influence.
I'll carve your name on barks of trees, 565
With true-loves-knots and flourishes,
That shall infuse eternal spring,
And everlasting flourishing:
Drink ev'ry letter on't in stum,
And make it brisk champaign become; 570
Where-e'er you tread, your foot shall set
The primrose and the violet:
All spices, perfumes, and sweet powders,
Shall borrow from your breath their odours:
Nature her charter shall renew, 575
And take all lives of things from you;
The world depend upon your eye,
And when you frown upon it, die:
Only our loves shall still survive,
New worlds and natures to out-live: 580
And, like to heralds' moons, remain
All crescents, without change or wane.
Hold, hold, quoth she; no more of this,
Sir Knight; you take your aim amiss:
For you will find it a hard chapter 585
To catch me with poetic rapture,
In which your mastery of art
Doth shew itself, and not your heart:
Nor will you raise in mine combustion
By dint of high heroic fustian. 590
She that with poetry is won,
Is but a desk to write upon;
And what men say of her, they mean
No more than on the thing they lean.
Some with Arabian spices strive 595
T' embalm her cruelly alive;
Or season her, as French cooks use
Their haut-gousts, bouillies, or ragousts:
Use her so barbarously ill,
To grind her lips upon a mill, 600
Until the facet doublet doth
Fit their rhimes rather than her mouth:
Her mouth compar'd to an oyster's, with
A row of pearl in't — stead of teeth.
Others make posies of her cheeks, 605
Where red and whitest colours mix;
In which the lily, and the rose,
For Indian lake and ceruse goes.
The sun and moon by her bright eyes
Eclips'd, and darken'd in the skies, 610
Are but black patches, that she wears,
Cut into suns, and moons, and stars:
By which astrologers as well,
As those in Heav'n above, can tell
What strange events they do foreshow 615
Unto her under-world below.
Her voice, the music of the spheres,
So loud, it deafens mortals ears;
As wise philosophers have thought;
And that's the cause we hear it not. 620
This has been done by some, who those
Th' ador'd in rhime, would kick in prose;
And in those ribbons would have hung
On which melodiously they sung;
That have the hard fate to write best 625
Of those still that deserve it least;
It matters not how false, or forc'd:
So the best things be said o' th' worst:
It goes for nothing when 'tis said;
Only the arrow's drawn to th' bead, 630
Whether it be a swan or goose
They level at: So shepherds use
To set the same mark on the hip
Both of their sound and rotten sheep:
For wits, that carry low or wide, 635
Must be aim'd higher, or beside
The mark, which else they ne'er come nigh,
But when they take their aim awry.
But I do wonder you should choose
This way t' attack me with your Muse, 640
As one cut out to pass your tricks on,
With fulhams of poetic fiction:
I rather hop'd I should no more
Hear from you o' th' gallanting score:
For hard dry-bastings us'd to prove 645
The readiest remedies of love;
Next a dry-diet: but if those fail,
Yet this uneasy loop-hol'd jail,
In which ye are hamper'd by the fetlock,
Cannot but put y' in mind of wedlock; 650
Wedlock, that's worse than any hole here,
If that may serve you for a cooler,
T' allay your mettle, all agog
Upon a wife, the heavi'r clog:
Or rather thank your gentler fate, 655
That for a bruis'd or broken pate,
Has freed you from those knobs that grow
Much harder on the marry'd brow:
But if no dread can cool your courage,
From vent'ring on that dragon, marriage, 660
Yet give me quarter, and advance
To nobler aims your puissance:
Level at beauty and at wit;
The fairest mark is easiest hit.