[39] This again suggests, though it does not prove, that we are in an open court surrounded by a cloister, on the rafters of which swallows would often perch. Line 297 suggests this even more strongly, "the roof" being, no doubt, the roof of the cloister, on to which Minerva flew from the rafter, that her ægis might better command the whole court.
[40] Probably the hide of the heifer that Philœtius had brought in that morning (xx. 186).
[41] This room was apparently not within the body of the house. It was certainly on the ground floor, for the bed was fixed on to the stump of a tree; I strongly suspect it to be the vaulted room, round the outside of which the bodies of the guilty maids were still hanging, and I also suspect it was in order to thus festoon the room that Telemachus hanged the women instead of stabbing them, but this is treading on that perilous kind of speculation which I so strongly deprecate in others. If it were not for the gruesome horror of the dance, in lines 129—151, I should not have entertained it.
[CHAPTER III.]
THE PREPONDERANCE OF WOMAN IN THE ODYSSEY.
Having in my first chapter met the only à priori objections to my views concerning the sex of the writer which have yet been presented to me, I now turn to the evidence of female authorship which is furnished by the story which I have just laid before the reader.
What, let me ask, is the most unerring test of female authorship? Surely a preponderance of female interest, and a fuller knowledge of those things which a woman generally has to deal with, than of those that fall more commonly within the province of man. People always write by preference of what they know best, and they know best what they most are, and have most to do with. This extends to ways of thought and to character, even more than to action. If man thinks the noblest study for mankind to be man, woman not less certainly believes it to be woman.