Again, the outer yard was open to the suitors all the time. Surely with the axes still at command they could have cut the Byblus-fibre rope that was the only fastening of the main gate; some of them at any rate might have got out. The first ninety lines of the Book are as fine as the Iliad, but from line (say) 100 to line 330 the writer is out of her depth, and knows it. The most palpably feminine part is where Minerva comes to help Ulysses disguised as Mentor (xxii. 205-240). The suitors menace her, and in a rage she scolds not them but Ulysses, whom she rates roundly. Having done this, she flies away and sits on a rafter like a swallow.
All readers will help poets, playwrights, and novelists, by making believe a good deal, but we like to know whether we are in the hands of one who will flog us uphill, or who will make as little demand upon us as possible. In this portion of Book xxii. the writer is flogging us uphill. She does not care how much she may afflict the reader in his efforts to believe her—the only thing she really cares for is her revenge. She must have every one of the suitors killed stone dead, and all the guilty women hanged, and Melanthius first horribly tortured and then cut in pieces. Provided these objects are attained, it is not necessary that the reader should be able to believe, or even follow, all the ins and outs of the processes that lead up to them.
I will therefore not pursue the absurdities with which the killing of the suitors abounds. I would, however, point out that in Book xvi. 281, &c., where the taking away of the armour from the cloister walls was first mooted, it was proposed that enough to arm Ulysses and Telemachus should be left accessible, so that they might snatch it up in a moment without having to go all the way down into the store-room after it, at the risk of Telemachus's forgetting to shut the door—as young people so often do. I suppose Ulysses forgot all about this sensible precaution, when he and Telemachus were hiding the armour at the beginning of Book xix. Or shall we suppose that the idea of catching Melanthius in the store-room had not occurred to the poetess when she was writing Book xvi., but had struck her before she reached Book xix., and that she either forgot, or did not think it worth while, or found it inconvenient, to cancel lines 295, 296 of Book xvi.? From what I have seen of the authoress I incline to this last opinion, and hold that she made Ulysses omit to leave a little of the armour accessible to himself and Telemachus, because she had by this time determined to string Melanthius up in the store-room, and did not see how to get him inside it unless she made Telemachus go there first and leave the door open; and, again, did not see how to get Telemachus down to the store-room if she left armour near at hand, for him to snatch up.
As for Telemachus bringing up four helmets, four shields, eight spears, he was already fully armed when the fight began (xxi. 434), so three helmets, three shields and six spears should have done. Four helmets, four shields, and eight spears is a heavy load; but Melanthius carried twelve shields, twelve helmets, and twelve spears apparently all at one time.
We are in an atmosphere of transpontine melodrama, but the only wonder is that the absurdities are not even grosser than they are, seeing that the writer was a young woman with a strong will of her own. Woman she must have been; no male writer could have resisted the temptation to kill Eumæus. It is the faithful servant's rôle to be mortally wounded on occasions of this sort. There are very few more suitors to be killed, and Minerva is going to raise her ægis immediately, so that he could be perfectly well spared; possibly the writer felt that she should be shorthanded with the cleaning up of the blood and the removal of the dead bodies, but more probably she hated the suitors so bitterly that she would not let them score a single point.
How evidently relieved she feels when she has got the killing over, and can return to ground on which she is strong, such as the saving of Phemius and Medon, and the cleaning down of the house.