The Authoress of the Odyssey / Where and when she wrote, who she was, the use she made of the Iliad, and how the poem grew under her hands

by Samuel Butler

I have now given, though far more briefly than the subject requires, some of my reasons for believing that from the first Book of the Odyssey to the last we are in the hands of a young woman. Who, then, was she? Where did she live and write? She was of flesh and blood, lived in time and place, looked on sea and sky, came and went somewhither and somewhen—but where? and when? and above all, who? It will be my object to throw what light I can upon these subjects in the following chapters.

I will follow the same course that I have taken earlier, and retrace the steps whereby I was led to my conclusions.

By the time I had finished Book x. I was satisfied that the Odyssey was not a man's work, but I had seen nothing to make me think that it was written rather at one place than at another. When, however, I reached xiii. 159-164, in which passage Neptune turns the Phæacian ship into a rock at the entrance of the Scherian harbour, I felt sure that an actual feature was being drawn from, and made a note that no place, however much it might lie between two harbours, would do for Scheria, unless at the end of one of them there was a small half sunken rock. Presently I set myself to consider what combination of natural features I ought to look for on the supposition that Scheria was a real place, and made a list of them as follows:—

1. The town must be placed on a point of land jutting out as a land's end into the sea between two harbours, or bays in which ships could ride (vi. 263); it must be connected with the mainland by a narrow neck of land, and as I have just said, must have a half sunken formidable rock at the entrance of one of the harbours.

2. There must be no river running into either harbour, or Nausicaa would not have had to go so far to wash her clothes. The river when reached might be nothing but a lagoon with a spring or two of fresh water running into it, for the clothes were not, so it would seem, washed in a river; they were washed in public washing cisterns (Od. vi. 40, 86, 92) which a small spring would keep full enough of water "to wash clothes even though they were very dirty." The scene is laid close on the sea shore, for the clothes are put out to dry on a high bank of shingle which the sea had raised, and Nausicaa's maidens fly from Ulysses along the beach and spits that run into the sea.

3. There must be a notable mountain at no great distance from the town so as to give point to Neptune's threat that he would bury it under a high mountain. Furthermore, the whole combination above described must lie greatly further west of Eubœa than Ithaca was, and hence greatly west of Ithaca (vii. 321). Surely, if a real place is being drawn from, these indications are ample to ensure its being easily found.

Men of science, so far as I have observed them, are apt in their fear of jumping to a conclusion to forget that there is such a thing as jumping away from one, and Homeric scholars seem to have taken a leaf out of their book in this respect. How many striking points of correspondence, I wonder, between an actual place and one described in a novel, would be enough to create a reasonable assurance that the place in which they were combined was the one that was drawn from? I should say four well marked ones would be sufficient to make it extremely improbable that a like combination could be found elsewhere; make it five, and unless we find something to outweigh the considerations which so close a correspondence between the actual place and the one described in the novel would suggest, or unless by some strange coincidence the same combination in all its details can be shown to occur in some other and more probable locality, we may be sure that the novel was drawn from the place; for every fresh detail in the combination required decreases the probability of error in geometrical ratio if it be duly complied with.

Let us suppose that a policeman is told to look out for an elderly gentleman of about sixty; he is a foreigner, speaks a little English but not much, is lame in his left foot, has blue eyes, a bottle nose, and is about 5 ft. 10 in. high. How many of these features will the policeman require before he feels pretty sure that he has found his man? If he sees any foreigner he will look at him. If he sees one who is about 5 ft. 10 in. high he will note his age, if this proves to be about sixty years, and further, if the man limps on his left foot, he will probably feel safe in stopping him. If, as he is sure to do, he finds he has a bottle nose, he will leave the blue eyes and broken English alone, and will bring the man before the magistrate.