It is certain, as we have seen, that when the kitchen-maid lights the fire it is really Croesus who is lighting it, but it is less obvious that when Croesus goes to a ball the scullery-maid goes also. Still this should be held in the same way as it should be also held that she eats vicariously when Croesus dines. For he must return the balls and the dinner parties and this comes out in his requiring to keep a large establishment whereby the scullery-maid retains her place as part of his organism and is nourished and amused also.
On the other hand, when Croesus dies it does not follow that the scullery-maid should die at the same time. She may grow a new Croesus, as Croesus, if the maid dies, will probably grow a new kitchen-maid, Croesus’s son or successor may take over the kingdom and palace, and the kitchen-maid, beyond having to wash up a few extra plates and dishes at Coronation time, will know little about the change. It is as though the establishment had had its hair cut and its beard trimmed; it is smartened up a little, but there is no other change. If, on the other hand, he goes bankrupt, or his kingdom is taken from him and his whole establishment is broken up and dissipated at the auction mart, then, even though not one of its component cells actually dies, the organism as a whole does so, and it is interesting to see that the lowest, least specialised and least highly differentiate parts of the organism, such as the scullery-maid and the stable-boys, most readily find an entry into the life of some new system, while the more specialised and highly differentiated parts, such as the steward, the old housekeeper and, still more so, the librarian or the chaplain may never be able to attach themselves to any new combination, and may die in consequence. I heard once of a large builder who retired unexpectedly from business and broke up his establishment to the actual death of several of his older employés. So a bit of flesh or even a finger may be taken from one body and grafted on to another, but a leg cannot be grafted; if a leg is cut off it must die. It may, however, be maintained that the owner dies too, even though he recovers, for a man who has lost a leg is not the man he was. [92]
VII
On the Making of Music, Pictures and Books
Thought and Word
i
Thought pure and simple is as near to God as we can get; it is through this that we are linked with God. The highest thought is ineffable; it must be felt from one person to another but cannot be articulated. All the most essential and thinking part of thought is done without words or consciousness. It is not till doubt and consciousness enter that words become possible.
The moment a thing is written, or even can be written, and reasoned about, it has changed its nature by becoming tangible, and hence finite, and hence it will have an end in disintegration. It has entered into death. And yet till it can be thought about and realised more or less definitely it has not entered into life. Both life and death are necessary factors of each other. But our profoundest and most important convictions are unspeakable.
So it is with unwritten and indefinable codes of honour, conventions, art-rules—things that can be felt but not explained—these are the most important, and the less we try to understand them, or even to think about them, the better.
ii
Words are organised thoughts, as living forms are organised actions. How a thought can find embodiment in words is nearly, though perhaps not quite, as mysterious as how an action can find embodiment in form, and appears to involve a somewhat analogous transformation and contradiction in terms.