"The inhabitants are very much alarmed, and hereafter I shall sleep with pistols at the head of my bed, although there is little to apprehend in this part of the city. Still, as I find many of my acquaintance adopting that plan, I choose rather to be on the safe side and join with them."
CHAPTER IV
JANUARY 18, 1812—AUGUST 6. 1812
Political opinions.—Charles E. Leslie's reminiscences of Morse, Allston,
King, and Coleridge.—C. B. King's letter.—Sidney E. Morse's letter.—
Benjamin West's kindness.—Sir William Beechy.—Murders, robberies, etc.
—Morse and Leslie paint each other's portraits.—The elder Morse's
financial difficulties.—He deprecates the war talk.—The son differs
with his father.—The Prince Regent.—Orders in Council.—Estimate of
West.—Alarming state of affairs in England.—Assassination of Perceval,
Prime Minister.—Execution of assassin.—Morse's love for his art.—
Stephen Van Rensselaer.—Leslie the friend and Allston the master.—
Afternoon tea.—The elder Morse well known in Europe.—Lord Castlereagh.
—The Queen's drawing-room.—Kemble and Mrs. Siddons.—Zachary Macaulay.
—Warning letter from his parents.—War declared.—Morse approves.—
Gratitude to his parents, and to Allston.
The years from 1811 to 1815 which were passed by Morse in the study of
his art in London are full of historical interest, for England and
America were at war from 1812 to 1814, and the campaign of the allied
European Powers against Napoleon Bonaparte culminated in Waterloo and the
Treaty of Paris in 1815.
The young man took a deep interest in these affairs and expressed his opinions freely and forcibly in his letters to his parents. His father was a strong Federalist and bitterly deprecated the declaration of war by the United States. The son, on the contrary, from his point of vantage in the enemy's country saw things from a different point of view and stoutly upheld the wisdom, nay, the necessity, of the war. His parents and friends urged him to keep out of politics and to be discreet, and he seems, at any rate, to have followed their advice in the latter respect, for he was not in any way molested by the authorities.
At the same time he was making steady progress in his studies and making friends, both among the Americans who were his fellow students or artists of established reputation, and among distinguished Englishmen who were friends of his father.
Among the former was Charles R. Leslie, his room-mate and devoted friend, who afterwards became one of the best of the American painters of those days. In his autobiography Leslie says:—
"My new acquaintances Allston, King, and Morse were very kind, but still they were new acquaintances. I thought of the happy circle round my mother's fireside, and there were moments in which, but for my obligations to Mr. Bradford and my other kind patrons, I could have been content to forfeit all the advantages I expected from my visit to England and return immediately to America. The two years I was to remain in London seemed, in prospect, an age.
"Mr. Morse, who was but a year or two older than myself, and who had been in London but six months when I arrived, felt very much as I did and we agreed to take apartments together. For some time we painted in one room, he at one window and I at the other. We drew at the Royal Academy in the evening and worked at home in the day. Our mentors were Allston and King, nor could we have been better provided; Allston, a most amiable and polished gentleman, and a painter of the purest taste; and King, warm-hearted, sincere, sensible, prudent, and the strictest of economists.