"Coleridge, who was a visitor at the rooms of Leslie and Morse, frequently made his appearance under the influence of those fits of despondency to which he was subject. On these occasions, by a preconcerted plan, they often drew him from this state to one of brilliant imagination.
"'I was just wishing to see you,' said Morse on one of these occasions when Coleridge entered with a hesitating step, and replied to their frank salutations with a gloomy aspect and deep-drawn sighs. 'Leslie and myself have had a dispute about certain lines of beauty; which is right?' And then each argued with the other for a few moments until Coleridge became interested, and, rousing from his fit of despondency, spoke with an eloquence and depth of metaphysical reasoning on the subject far beyond the comprehension of his auditors. Their point, however, was gained, and Coleridge was again the eloquent, the profound, the gifted being which his remarkable productions show him to be.
"'On one occasion,' said Morse, 'I heard him improvise for half an hour in blank verse what he stated to be a strange dream, which was full of those wonderful creations that glitter like diamonds in his poetical productions.' 'All of which,' remarked I, 'is undoubtedly lost to the world.' 'Not all,' replied Mr. Morse, 'for I recognize in the "Ancient Mariner" some of the thoughts of that evening; but doubtless the greater part, which would have made the reputation of any other man, perished with the moment of inspiration, never again to be recalled.'
"When his tragedy of 'Remorse,' which had a run of twenty-one nights, was first brought out, Washington Allston, Charles King, Leslie, Lamb, Morse, and Coleridge went together to witness the performance. They occupied a box near the stage, and each of the party was as much interested in its success as Coleridge himself.
"The effect of the frequent applause upon Coleridge was very manifest, but when, at the end of the piece, he was called for by the audience, the intensity of his emotions was such as none but one gifted with the fine sensibilities of a poet could experience. Fortunately the audience was satisfied with a mere presentation of himself. His emotions would have precluded the idea of his speaking on such an occasion.
"Allston soon after this became so much out of health that he thought a change of air and a short residence in the country might relieve him. He accordingly set out on his journey accompanied by Leslie and Morse.
"When he reached Salt Hill, near Oxford, he became so ill as to be unable to proceed, and requested Morse to return to town for his medical attendant, Dr. Tuthill, and Coleridge, to whom he was ardently attached.
"Morse accordingly returned, and, procuring a post-chaise, immediately set out for Salt Hill, a distance of twenty-two miles, accompanied by Coleridge and Dr. Tuthill.
"They arrived late in the evening and were busied with Allston until midnight, when he became easier, and Morse and Coleridge left him for the night.
"Upon repairing to the sitting-room of the hotel Morse opened Knickerbocker's 'History of New York,' which he had thrown into the carriage before leaving town. Coleridge asked him what work he had.