"I send you copies of two letters just received from England. What shall I say in answer? Can we make any arrangements with them? Need we do it? Does not our patent secure us against foreign interference, or are we to be defeated, not only in England but in our own country, by the subsequent inventions of Wheatstone?
"I feel my hands tied; I know not what to say. Do advise immediately so that I can send by the British Queen, which sails on the first prox."
Fortunately Smith advised against a combination, and the matter was dropped.
It will not be necessary to dwell at length on the events of the year 1841. The situation and aims of the inventor are best summed up in a beautiful and characteristic letter, written on February 14 of that year, to his cousin, the Reverend Edward S. Salisbury:—
"Your letter containing a draft for three hundred dollars I have received, for which accept my sincere thanks. I have hesitated about receiving it because I had begun to despair of ever being able to touch the pencil again. The blow I received from Congress, when the decision was made concerning the pictures for the Rotunda, has seriously and vitally affected my enthusiasm in my art. When that event was announced to me I was tempted to yield up all in despair, but I roused myself to resist the temptation, and, determining still to fix my mind upon the work, cast about for the means of accomplishing it in such ways as my Heavenly Father should make plain. My telegraphic enterprise was one of those means. Induced to prosecute it by the Secretary of the Treasury, and encouraged by success in every part of its progress, urged forward to complete it by the advice of the most judicious friends, I have carried the invention on my part to perfection. That is to say, so far as the invention itself is concerned. I have done my part. It is approved in the highest quarters—in England, France, and at home—by scientific societies and by governments, and waits only the action of the latter, or of capitalists, to carry it into operation.
"Thus after several years' expenditure of time and money in the expectation (of my friends, never of my own except as I yielded my own judgment to theirs) of so much at least as to leave me free to pursue my art again, I am left, humanly speaking, farther from my object than ever. I am reminded, too, that my prime is past; the snows are on my temples, the half-century of years will this year be marked against me; my eyes begin to fail, and what can I now expect to do with declining powers and habits in my art broken up by repeated disappointments?
"That prize which, through the best part of my life, animated me to sacrifice all that most men consider precious—prospects of wealth, domestic enjoyments, and, not least, the enjoyment of country—was snatched from me at the moment when it appeared to be mine beyond a doubt.
"I do not state these things to you, my dear cousin, in the spirit of complaint of the dealings of God's Providence, for I am perfectly satisfied that, mysterious as it may seem to me, it has all been ordered in its minutest particulars in infinite wisdom, so satisfied that I can truly say I rejoice in the midst of all these trials, and in view of my Heavenly Father's hand guiding all, I have a joy of spirit which I can only express by the word 'singing.' It is not in man to direct his steps. I know I am so short-sighted that I dare not trust myself in the very next step; how then could I presume to plan for my whole life, and expect that my own wisdom had guided me into that way best for me and the universe of God's creatures?
"I have not painted a picture since that decision in Congress, and I presume that the mechanical skill I once possessed in the art has suffered by the unavoidable neglect. I may possibly recover this skill, and if anything will tend to this end, if anything can tune again an instrument so long unstrung, it is the kindness and liberality of my Cousin Edward. I would wish, therefore, the matter put on this ground that my mind may be at ease. I am at present engaged in taking portraits by the Daguerreotype. I have been at considerable expense in perfecting apparatus and the necessary fixtures, and am just reaping a little profit from it. My ultimate aim is the application of the Daguerreotype to accumulate for my studio models for my canvas. Its first application will be to the study of your picture. Yet if any accident, any unforeseen circumstances should prevent, I have made arrangements with my brother Sidney to hold the sum you have advanced subject to your order. On these conditions I accept it, and will yet indulge the hope of giving you a picture acceptable to you."
The picture was never painted, for the discouraged artist found neither time nor inclination ever to pick up his brush again; but we may be sure that the money, so generously advanced by his cousin, was repaid.