Young West's fame was soon spread abroad, and he was shortly crowded with applications for portraits, of which he painted a considerable number. He was now of an age to require a decision of his parents in respect to the profession he was to follow, in life. They deliberated long and anxiously upon this subject, and at last concluded to refer the matter to the society of Quakers to which they belonged. These decided, that, although they did not acknowledge the utility of painting to mankind, yet they would allow the youth to follow a path for which he had so evident a genius.
At the age of eighteen, he established himself in Philadelphia, as a portrait painter, and afterwards spent some time at New York, in the same capacity. In both places, his success was considerable. In 1760, aided by friends, he proceeded to Italy, to study his art; in 1763, he went to London, where he soon became established for life. The king, George III., was his steadfast friend, and he became painter to his majesty. He was offered a salary of seven hundred pounds a year, by the Marquis of Rockingham, to embellish his mansion at Yorkshire with historical paintings, but this he declined.
On the death of Sir Joshua Reynolds, he was elected president of the Royal Academy, and took his place in March, 1792. In his sixty-fifth year, he painted his great picture of Christ healing the sick, to aid the Quakers of Philadelphia in the erection of a hospital for that city. It was so much admired that he was offered no less than fifteen thousand dollars for this performance. He accepted the offer, as he was not rich, upon condition that he should be allowed to make a copy for the Friends of Philadelphia, for whom he had intended it. This great picture, of which we give an engraving, was long exhibited at Philadelphia, and the profits essentially aided the benevolent object which suggested the picture.
West continued to pursue his profession, and painted several pictures of great size, under the idea that his talent was best suited to such performances. In 1817, his wife, with whom he had long lived in uninterrupted happiness, died, and he followed her in 1820. If his standing, as an artist, is not of the highest rank, it is still respectable, and his history affords a striking instance of a natural fitness and predilection for a particular pursuit. If we consider the total want of encouragement to painting, in a Quaker family, in a country town in Pennsylvania, more than a century ago, and advert to the spontaneous display of his taste and its persevering cultivation, we shall see that nature seems to have given him an irresistible impulse in the direction of the art to which he devoted his life.
West was tall, firmly built, and of a fair complexion. He always preserved something of the sedate, even and sober manners of the sect to which his parents belonged; in disposition, he was mild, liberal and generous. He seriously impaired his fortune by the aid he rendered to indigent young artists. His works were very numerous, and the exhibition and sale of those in his hands, at the time of his death, yielded a handsome sum to his family. Though his early education was neglected, he supplied the defect by study and observation, and his writings connected with the arts are very creditable to him as a man, a philosopher and an artist.
BERRETINI.
Pietro Berretini was born 1596, at Cortona, in Italy. He is called Pietro Da Cortona, from the place of his birth. Even when a child, he evinced uncommon genius for painting; but he appeared likely to remain in obscurity and ignorance, as the extreme poverty of his situation precluded him from the usual means of improving natural talent. He struggled, however, with his difficulties, and ultimately overcame every obstacle which opposed him.