This statement, however extraordinary it may seem, is well known to be but a modest account of Mr. Burritt's wonderful acquirements. He is still (1843) a practical blacksmith, yet he finds time to pursue his studies. Nor are his acquisitions his only merit. He has been frequently invited to deliver lectures before lyceums, and other associations, and in these he has displayed no small degree of eloquence and rhetorical power. As he is still a young man, we may venture to affirm that his history affords an instance of self-cultivation, which, having regard to all the circumstances, is without a parallel.
GEORGE MORLAND.
This eccentric man and clever artist was born in London, in 1763. He gave very early indications of genius, and when quite a child, used to draw objects on the floor, with the implements of his father, who was a painter, in crayons. He executed pictures of pencils, scissors, and other things of the kind, with so much perfection, that his father often mistook them for real ones, and stooped down to pick them up. Some of George's drawings, executed before he was five years old, were exhibited with great applause at the society of artists in London.
These and other evidences of talent rendered him a favorite child; his father saw the germs of excellence in his own art, and, at the age of fourteen, had him apprenticed to himself, for seven years, during which his application was incessant. His father appears to have been harsh, unfeeling and selfish, and to have thought more of obtaining money from the talents and exertions of his son, than of giving him such training as should insure his success in life.
During his apprenticeship, George was confined to an upper room, copying drawings or pictures, and drawing from plaster casts. Being almost entirely restricted from society, all the opportunities he had for amusement were obtained by stealth, and his associates were a few boys in the neighborhood. The means of enjoyment were obtained by such close application to his business, as secretly to produce a few drawings or pictures more than his father imagined he could complete in a given time. These he lowered by a string from the window of his apartment, to his youthful companions, by whom they were converted into money, which they spent in common when opportunities offered.
In this manner passed the first seventeen years of the life of George Morland; and to this unremitted diligence and application he was indebted for the extraordinary power he possessed over the implements of his art. Avarice, however, was the ruling passion of his father, and this was so insatiable, that he kept his son incessantly at work, and gave him little, if any, education, except as an artist. To this cause must doubtless be attributed the irregularities of his subsequent life.