When left alone, when thou art gone,
Yet still I will not feel alone;
Thy spirit still will hover near,
And guard thy orphan daughter here.’”
Margaret continued to increase in strength until January, 1833, when she was attacked by scarlet fever, under which she lingered many weeks. In the month of May, she had, however, so far recovered as to accompany her mother, now convalescent, on a visit to New York. Here she was the delight of the relatives with whom she resided, and the suggester of many new sources of amusement to her youthful companions. One of her projects was to get up a dramatic entertainment, for which she was to write the play. Indeed, she directed the whole arrangements, although she had never but once been to a theatre, and that on her former visit to New York. The preparations occupied several days, and, being nearly completed, Margaret was called upon to produce the play. “O,” she replied, “I have not written it yet.” “How is this? Do you make the dresses first, and then write the play to suit them?” “O,” replied she, “the writing of the play is the easiest part of the preparation; it will be ready before the dresses.” In two days she produced her drama; “which,” says Mr. Irving, “is a curious specimen of the prompt talent of this most ingenious child, and by no means more incongruous in 34 its incidents than many current dramas by veteran and experienced playwrights.”
Though it was the study of her relatives to make her residence in New York as agreeable to her as possible, the heart of Margaret yearned for her home: her feelings are expressed in the following lines:—
“I would fly from the city, would fly from its care,
To my own native plants and my flowerets so fair;
To the cool grassy shade and the rivulet bright,
Which reflects the pale moon on its bosom of light.