Adventures in Alaska

by Samuel Hall Young

The bear hears a stick snap and catches a faint human odor; he stands up on his hind feet to investigate. His lips are drawn back from his big teeth, and he snarls a question.

The man dodges behind a tree; creeps closer—cautiously flits from tree to tree—moves slowly out from a sheltering trunk—sinks on one knee—raises his gun—aims. "Bang!" from the gun,—"wah-a-ah-gr-r-r!" from the bear. The bear whirls round and round, biting his wound; then he charges straight for the man, his teeth champing, his jaws slavering.

The man throws away the gun and takes his spear in both hands. He steps boldly out in the open and stands still, his left foot advanced, his spear slanting upwards, braced for the shock. The bear comes galumphing on, his hair on end, his sideways strut showing his anger and his readiness for the battle.

When within a few feet of the man the bear stops short with a startling "Woof!" and stands upright on his hind feet. The man knows this habit of the hootz, and seizes the opportunity. He springs forward before the bear is steadied on his two feet and thrusts mightily with his spear. The bear strikes viciously at the man and howls hoarsely. A stream of red gushes out from the wide wound. Now the bear attacks, his fangs gleaming, his long claws standing stiffly out. He jumps and strikes and slashes with his teeth at the man.

The man is alert—firm and sure on his feet—quick as lightning, yet steady. He dodges and leaps about the bear, feinting and thrusting. Again and again the spear goes home. The froth from the bear's jaws is bloody now, while the man's face is covered with drops of sweat. The breath of both comes in gasps. The air seems full of violent motion and raucous sounds. At every fresh wound the bear howls—"wa-a-ah"—this changes immediately to a vicious growl as he rears on his hind feet again and rushes to the fray. The man begins to shout his war-cry—"hoohooh—hoohooh"—as he jabs his terrible weapon into the bear's breast.

The bear is visibly weakening. His eyes grow dim, his rushes and blows have less steel and lightning in them. The man begins to taunt him, "Oh, you big-chief hootz—I thought you brave man—strong man. You no brave—no strong. You just like baby. Why you no stand up, fight like man?"

At last the bear, sick and faint with loss of blood, but game to the end, stands with paws outstretched, swaying like a drunken man. The man comes close, and, bending back to gain force for his blow, thrusts upward and forward with all his strength, striking just under the bear's breast bone and buries the spear-head, splitting the heart in two. Over on his back topples the great beast, his paws feebly twitching, his last breath bringing with it a great rush of blood.

The man, as soon as he can recover breath, puts his foot on the bear's neck, singing in quaint minor strain a brief song of triumph. Then he hastens to prop the bear's mouth open with a stick, to let his spirit go forth in peace, and he also places between the dying jaws a piece of dried salmon, that the bear may not lack food when he goes to join the hoots-kwany—the bear-people, in that spirit land of forests and mountains to which all brown bears, good and bad, must go.

Sam Tahtain was a little man, in striking contrast with his giant brother, Snook, but he entered into his recital with infinite energy, dancing about the floor, striking and thrusting, acting the bear's part and then the man's, shouting and growling out his words; and when he had finished, his own face was bathed in perspiration. His acting was an artless piece of art, very perfect in its way; and it certainly thrilled the Indians who had drawn around in an eager circle as the recitation proceeded, their fervent indrawn exclamations of wonder and admiration supplying the most genuine applause.

But I must confess that the antics of the little man, and his evident pride in his own performance, struck me as irresistibly funny; and I could not help recalling a verse I had learned when a boy: