“Specially nothing! That’s part of their regular school exercises.”
“In the German schools?”
“In the public schools. Our schools. Paid for out of our taxes. ‘Come to order.’ Tap-tap-tap with Teacher’s ruler. ‘Der bupils will now rice und zing “Die Wacht am Rhein.”’ But try em with ‘America,’ and they would n’t know the first verse.”
“You seem to feel strongly about it.”
“Not in working hours. Have n’t got any feelings. I’m a reporter.”
From this point the programme was exclusively in German. The next speaker, Pastor Klink, rose and glorified God, a typically if not exclusively German God. Emil Bausch, following, extolled the Kaiser rather more piously than his predecessor had glorified the Kaiser’s Creator. Martin Dolge apostrophized the spirit of Deutschtum, which, if one might believe him, was invented by the Creator and improved by the Kaiser. Just here occurred an unfortunate break in the programme. The next speaker on the list had been called out, and an interim must be filled while he was retrieved. The chairman motioned to the band leader for music. Whether in a spirit of perversity or by sheer, unhappy chance, the director led his men in the strains of “The Star-Spangled Banner.”
In justice to our citizens of German descent and allegiance, it must be admitted that they are of equable spirit. Nobody openly resented the playing of the national anthem. A glance of disapproval passed between the professorial envoy from Germany and Pastor Klink, and some of the others on the stage frowned momentarily. But their habitual tolerant good nature at once reasserted itself. Of course, no one rose; that gesture was reserved for the German national music. No one, that is who counted, in that assemblage. But from the reporters’ seats Jeremy Robson and Galpin dimly made out a figure, long-coated, straw-hatted and slim, in the first row of the balcony’s farthest corner, standing stiffly erect.
Around it buzzed a small disturbance. There were sounds of laughter, which spread and mingled with a few calls of disapprobation. A woman beside the erect figure seemed to be making an effort at dissuasion. It was unavailing. On the stage there were curious looks and queries. Presently the whole house was gazing at the slender, lone figure.
“Who’s the kid?” asked Jeremy Robson, interested.
“Don’t know him,” answered Galpin, staring.