"Do you think a few days enough to re-Americanize you?"

"Say a few years, then." He rose and turned to give a long look at the portrait of Mona Fentriss which he had set on the table. "You have been more than kind to me," he said gravely. "I cannot thank you enough."

"I'm afraid I was clumsy and abrupt." He shook his head. "It must have been a shock to you."

"Yes. But—dreams do not die. And I still keep the dream. And perhaps"—he lifted an appealing gaze to her—"perhaps, as a legacy, some little part of the friendship. I may hold that as a hope?"

"Yes," said Constance.

Her fingers stirred in his as he bent and touched light lips to her hand.

Out into the tumultuous night Cary Scott carried two pictures, mother and daughter, strangely alike, strangely different, which interchanged and blended and separated again, like the evanescence of sunset-hued clouds. But it was the visual memory of the living woman which eventually held his inner eye, the pure, smooth contour of her face, the sumptuous curves of the figure beneath the suave folds of the clinging robe, the chaste line of the lips contradicted by the half-veiled sensuality of the wide, humid, deer-soft eyes. A delicate, but unsatisfied sensuality which might yet, as he read it, break down under provocation into reckless self-indulgence. Sensitive by nature to beauty in all its implications, inner and outer, he felt the enveloping atmosphere of her youth and sweetness, and sought, to match it, the swift intelligence, the eager responsiveness which had been Mona's. Had the daughter inherited these qualities of the mother? If she had, she would be irresistible.

Mona Fentriss, whatever relations she had maintained, in her wayward, laughing course of life, with other men (wholly unknown and unsuspected by Cary Scott) had been to him all that was demanded by the ideal which he himself had formed of her; had given him a friendship infinitely wise and sweet and clear in spirit. Of Constance he had asked the chance to win a like friendship. Yet in his heart, at once hopeful by instinct, and cynical by experience, he knew from the evidence of those hungering eyes, that if she gave at all it would be more than friendship. And, if she chose to give, would he choose to take? From Mona's daughter, at once so subtly like and unlike Mona? Was he already a little in love with her? The question was still unsolved when he went to sleep.

After he left, Constance returned to her book. Presently it dropped from her hand. Dreams seeped into the craving eyes.

Her husband found her so when he came in at midnight.