"I wouldn't tell anyone. It's disgusting to be so—so prying. Where do you get such ideas?"
Pat reflected before answering. "Don't all girls have 'em?"
"If they do, they don't talk about them."
"Oh, that's all bunk," declared the cheerful Pat. "If you've got the idea inside you, you might as well spit it out.... I'll bet men tell."
The bride looked at the clever, eager, childish face with sudden panic. "If I thought they did," she began, but immediately broke off, taking a plaintive, invalidish tone. "Do go away, Scrubs! You're making my head ache. And for heaven's sake, don't stare at me to-morrow like you have to-day. It gives me the creeps."
"It gives me the thrills," returned the alarmingly outspoken ingénue, as she danced out.
Throughout the ceremony of the following day, Pat's interest was divided between the bride and an equally absorbing prepossession. She had, so she told herself, fallen desperately in love with one of the ushers, a Boston man named Vincent. To her infatuated eyes he was adorably handsome, and so romantic looking, though quite old. Probably thirty! On the previous evening he had chatted casually with her for five minutes, finding the odd, eager child with the sombre eyes and the effortful affectation of grown-up-ness mildly amusing. Going up the aisle he had made her heart leap by giving her a little friendly nod. During the ceremony she brooded on him, building up the airiest of vague and roseate sentimentalities for the far future, and for the near, nursing the belief that he would surely seek her out as soon as possible at the reception. When she saw him, later, quite forgetful of her in his interest in Virginia Platt, a slight, flashing brunette of the wedding party, she was both chilled and infuriated. He did not even ask her to dance, though once he crossed the floor toward her, only to turn aside at the last, hopeful moment. It was terrible to be young and queer looking, though she had done her careful best for her elfish little face and immature figure.
Others came for dances, however; Selden Thorpe, the rector's son, the most often. Him she deemed "interesting looking," with his pale face, bristly hair, and hard, grey eyes, typical of the unconscious egotist. Though he danced well, here Pat could overmatch him, for she had the passion of rhythmic movement in her blood.
"You've got the fairy foot all right, little one," said he, investing the epithet with his conscious sophomoric superiority.
Pat felt offended. She wanted so much to be grown-up that evening. But she feared to alienate her escort's budding interest if she showed any resentment.