Conscious of a quickened pulse, and annoyed at himself because of it, the tyro advanced to receive his maiden assignment. The epochal event was embodied in the form of a small clipping from an evening paper, stating that a six-year-old boy had been fatally burned at a bonfire near the North River. Banneker, Mr. Greenough instructed him mildly, was to make inquiries of the police, of the boy’s family, of the hospital, and of such witnesses as he could find.
Quick with interest he caught up his hat and hurried out. Death, in the sparsely populated country wherefrom he hailed, was a matter of inclusive local importance; he assumed the same of New York. Three intense hours he devoted to an item which any police reporter of six months’ standing would have rounded up in a brace of formal inquiries, and hastened back, brimful of details for Mr. Greenough.
“Good! Good!” interpolated that blandly approving gentleman from time to time in the course of the narrative. “Write it, Mr. Banneker! write it.”
“How much shall I write?”
“Just what is necessary to tell the news.”
Behind the amiable smile which broadened without lighting up the sub-Mongol physiognomy of the city editor, Banneker suspected something. As he sat writing page after page, conscientiously setting forth every germane fact, the recollection of that speculative, estimating smile began to play over the sentences with a dire and blighting beam. Three fourths of the way through, the writer rose, went to the file-board and ran through a dozen newspapers. He was seeking a ratio, a perspective. He wished to determine how much, in a news sense, the death of the son of an obscure East-Side plasterer was worth. On his return he tore up all that he had written, and substituted a curt paragraph, without character or color, which he turned in. He had gauged the value of the tragedy accurately, in the light of his study of news files.
Greenough showed the paragraph (which failed to appear at all in the overcrowded paper of next morning) to Mr. Gordon.
“The new man doesn’t start well,” he remarked. “Too little imaginative interest.”
“Isn’t it knowledge rather than lack of interest?” suggested the managing editor.
“It may come to the same thing. If he knows too much to get really interested, he’ll be a dull reporter.”