Three days before Lent begins the people give themselves up to the wildest kind of frolic, with a looseness of manner that to a grave and thoughtful foreigner unused to such scenes at home is at first sight exceedingly foolish, and then very stupid. The Carnival is a carne-vale, a farewell to flesh; a grand celebration of the approach of Lent, or the season when lentiles, beans or vegetables only, are to be eaten for forty days. As the people see the time coming when for more than a month their religion requires them in a very special manner to abjure the world, the flesh, and the devil, it seems to be their idea to give the last three days of liberty to the enjoyment of these three forms of mammon-worship. If afterwards they served the Lord with half the zeal of these three days of devil-worship, they would be the most pious people on the earth. But to one whose religious prejudices are quite vivid against the nonsense of a Catholic carnival, it seems the queerest way in the world to get ready for serving God by plunging headlong into a scene of mad revelry that utterly abjures all sense and reason, and converts an entire city for three days into a pandemonium.

Yet it is all in such perfectly good humor, so free from riot and violence and drunkenness, that the only fault to be found with it is simply this, that the whole community make fools of themselves. The Romans had a proverb, “It is well to play the fool sometimes,” and perhaps it is. But when the whole town takes leave of its senses, and goes frolicking day after day, if it is a good thing, it is too much of a good thing, and that spoils it all.

Our windows look out upon the Puerta del Sol, the great square of the city. From it radiate the eight chief streets, and through it every moment the tide of life is flowing. Now it is the great centre of the carnival. Along the streets are seen parading small companies of men in masks and fantastic costumes, with all sorts of musical instruments, making harsh melodies as they march. Two or three of the set are constantly soliciting gifts from those they meet, or holding a cap to catch money thrown to them from the people in the windows and balconies, who are looking down to see the sport. Some of these rangers are women in men’s clothes; more are men in petticoats and crinoline, ill concealing their sex, which a close shaven chin and hard features too plainly reveal. In this disguise, great liberties are taken. A young woman stops a man on the sidewalk, claps him on the shoulder, asks him for money, perhaps chucks him under the chin, and sometimes more demonstrative still, she throws her arms around his neck and gives him an affectionate salute in the broad light of day on the most public and crowded thoroughfare. Even this boldness is taken in good part, and seldom or never leads to any quarrel. The men were polite to the women. In no case did I see any rudeness offered by a person in male attire to a female on the street. The maskers were only out in hundreds, while the others, looking on and enjoying, were thousands on thousands. These were in the usual dress of ladies and gentlemen. They expected to find walking somewhat rough, but they were prepared for it, and would have been disappointed had it been otherwise. The maskers wore costumes as various as the fancy of the wearers or the makers could invent them. Some were clothed in white from head to foot, with stripes of red or black; their faces painted white like ghosts, or with horns to look as much like devils as possible. Many were imitation negroes, and this seemed to be a fashionable attire, as if the African were popular among the Spaniards, who once had a great horror of the Moors. Some wore a fantastic head-gear that excited shouts of laughter as they passed. One man strode along with a false head five times the life size, so nicely fitted to his shoulders that it looked to be a sudden expansion of his head into that of a monster. Solemnly the bearer of this prodigious topknot walked the streets, apparently unconscious of the presence of the little-headed race of beings who were laughing at his swelled head.

Carriages, open, splendid barouches, and some with seated platforms prepared for the purpose, drawn by four or six horses, passed by, with six, eight, and even twelve maskers, all clad in the most inconceivably ludicrous robes, with queer hats and trimmings; and some of them with musical instruments, singing, gesticulating, bowing to the ladies in the windows, and exchanging salutations with the people in the way. The drivers and postilions and footmen were all rigged in livery to match the costumes of the company in the carriage, who thus aped the nobility and even royalty itself in its mockery of stately grandeur. And in the midst of these maskers, carriages with elegant ladies, in full dress for riding, go by, and among them, with his legs hanging over the side of the carriage, is one of the most fantastically got-up maskers, whose outlandish costume and ridiculous situation call out tremendous applause.

On the Prado, the great park of the city, thousands of elegant equipages are out in the afternoon, and the most fashionable people of Madrid are in the frolic. The ladies are loaded with sugar-plums to throw among the maskers, and these gay fellows will rush up to any carriage, leap on the steps, and demand a supply. On the walks, an old dowager in a splendid velvet cloak and dress, masked and representing an ancient belle, got up regardless of expense, attracts marked attention as she displays her fan and feathers, and struts as if in a drawing-room where she imagines herself admired. An old monk hobbles along, as if broken down with age and poverty. A procession of priests mocks at religion itself, in a country where we had thought it a capital crime to make fun of the priesthood.

And there goes the Pope himself; a man has actually mounted a hat like the Pope’s, and with white robes and gold lace has made a disguise that tells its story instantly. And the people laugh to see it. Nothing is too sacred nor too dignified to be travestied here. A company of mock soldiers pretend to keep order by making confusion more confounded. By some strange metamorphosis a man has turned himself into a very creditable goose, and waddles along most naturally, having some wires at his command with which he works his bill, his wings, and tail. A bear on horseback rides up, and Bruin is received with bravos. An ox is mounted also on a horse, and then a wolf; and even the devil is represented on horseback, and a woman rides astride behind him and her arms around him, a hideous, incongruous, but exceedingly ludicrous spectacle. Her hoops spread far behind, covering the horse’s hips and tail, so that the figure is half horse, half devil, and the other half woman. One man, as an orang-outang, leads and exhibits another dressed in the same way. Parties of dancers, all in these ridiculous costumes, form a ring and dance the fandango, with castanets and cymbals and guitars, executing the freest flings and giving themselves to the wildest abandon in the public streets. Others, men and women, disguised as if in their night-clothes and ready to go to bed, are wandering about, pretending to be lost, and their appearance is so comical that one almost forgets it is play, and pities the poor wanderers.

But the description is growing more wearisome than the scene itself. Nonsense all, but such nonsense as makes one laugh at first and then feel sad that grown-up men and women can find amusement, day after day, in such infinite folly. And where the religion comes in, it is hard to see. Yet we observe that our American and English friends who have leanings through their own church towards the Church of Rome, take a wonderful interest in the carnival. They have some associations with it, and the fast that follows, that give to all this sport some significance quite incomprehensible to the uncovenanted unbelievers in the outer courts.

CHAPTER V.
MADRID—PALACE—BANK—PICTURE-GALLERY.

WHEN Napoleon, as conqueror of Spain, entered the royal palace of Madrid (it was in 1808, his brother Joseph, the new-made king of Spain, being at his side), the great captain paused on the splendid marble staircase; and, as the magnificence of the mansion burst upon him, he turned to his brother, and said, in his epigrammatic way of putting his thoughts, “My brother, you will be better lodged than I.”

It is far more splendid than the Tuileries, or any palace in France, England, Germany, or Italy. It cost more than five millions of dollars a hundred years ago; and that was a much greater sum of money than now. It has been enlarged and embellished from year to year ever since. When we drove up to the grand court, it was so formidably filled with cavalry that we thought the predicted insurrection was imminent, and the army had been summoned to the defence of the palace. Not at all. These mounted soldiers are only the regular guard. In this inner court, or square, the cavalry, in long line and fierce array, are ready for a fight with the revolutionists, if they are brave enough, or mad enough, to try their hands in a tussle with the troops of government, trained and paid to defend the existing order of things. From the windows of the armory this martial parade was imposing, though there were but a few hundreds of mounted men. The officers were clad in polished steel back and breast plates, which flash brightly in the sun. The uniform is brilliant, and the riding splendid. Artillery companies, with cannon mounted, drawn by horses, manœuvre in the square, crossing and recrossing constantly, under the eye of the royal household. A long line of lounging people look on also; and, as they go and come all day, an impression is certainly insinuated by this military parade that the government is always ready to take care of itself.