A massive tripod kindled a great fire,

And warmed the water. When it boiled, within

The shining brass, she led me to the bath,

And washed me from the tripod. On my head

And shoulders, pleasantly, she shed the streams

That from my members took away the sense

Of weariness, unmanning body and mind.”[[21]]

Section XXXI.—The Washings of the Priests.

Writers upon the types and symbols of the Scriptures too often fail to recognize or appreciate their unity, symmetry, and completeness as a system, and the just proportion and propriety of each several part in its relation to the whole. That such must have been their character was impressively intimated to Israel by the emphasis with which Moses was admonished to “look that thou make them after their pattern, which was shewed thee in the mount.”—Ex. xxv, 40; xxvii, 8; Num. viii, 4. The reason of this particularity is stated by Paul. “Who serve unto the example and shadow of heavenly things, as Moses was admonished of God when he was about to make the tabernacle; for, See, saith he, that thou make all things according to the pattern showed to thee in the mount.”—Heb. viii, 5. The tabernacle and its appurtenances were a systematic and luminous exposition of the plan of grace. Approaching it from without, the first object that presented itself was the brazen altar of burnt-offering, exhibiting the price of redemption. Between it and the door of the tabernacle stood the laver, the pure water of which symbolized the Holy Spirit, through whom is the washing of regeneration and renewing of the Holy Ghost, the essential condition precedent to admittance to the fold of Christ. Entering the tabernacle, the first apartment represented the church on earth, the fold of the covenant. In it the light always shone from the seven branched golden candlestick, the lamps of which, continually replenished with oil by the priest, symbolized the church shining as the light of the world, through the oil of grace, the unction of the Holy One, ministered by our great High Priest. The table of show bread always supplied with twelve loaves, according to the number of the twelve tribes, set forth that Bread of life ever abundant for all, which nourishes the people of God in the earthly church, in preparation for the heavenly. Immediately before the veil, and before the ark of the covenant in the holy of holies stood the altar of incense, the fire of which, kindled with coals from the altar of burnt-offering, set forth the prayers of God’s people, made acceptable and fragrant before the throne, by virtue of the atonement and intercession of Christ. Within the veil,—thin curtain between the earthly and the heavenly house,—the mercy seat covering the ark, and the tables of the covenant law enclosed therein, represented the throne of God’s grace resting upon the firm foundation of his eternal law, thus showing that mercy to man is conditioned upon satisfaction to that law by the blood of atonement sprinkled there. All the other features of the system, its rites and ceremonies, were constructed and ordered in a strictly symmetrical and congruous relation to these. A recollection of these points will aid in a just appreciation of the points involved in the present discussion.

Of the form and dimensions of the laver, the Scriptures give no account, except that it stood on a foot or pedestal. (Ex. xxx, 18.) It was, however, of such size and proportions as to be carried about with Israel in their journeyings, probably with bars, borne on the shoulders of the Levites, as was the altar. In preparing facilities for the purpose of immersion, our Baptist brethren invariably sink the font to such a level that the minister and the subjects of the rite may descend into it. And this arrangement is a dictate, not of convenience only, but of decency, in the performance of the service. But, to suppose the laver sufficiently large and deep to serve as an immersion font, and then place it upon a pedestal, involves an elevation which must have rendered it, practically, inaccessible for such purposes, and precludes the idea that it was intended to be so used. In fact, the laver was not a bath tub, nor ever used as such, but a containing vessel from which was drawn water for all the uses of the sanctuary. The engravings which appear on pages 200, 207 below, precisely correspond with the Mosaic description of the laver, and probably give a very closely approximate idea of its form, size, and proportions.