Fig. 14.

Fig. 15.

Taking a Proof. When the tied form has been placed upon the stone or proof press, it is inked by rolling a small rubber roller (Fig. 14) over it, the roller having been first well inked by rolling it over an inked piece of marble, slate or glass. Then the type is covered with a moist paper, the sponged side up, or a regular proof paper. If there is no proof press the proof planer, a smooth faced block of hard wood, with face covered with felt, Fig. 15, is laid on the top of the paper, and tapped squarely and firmly with the mallet. If the proof planer does not cover the form, its position is changed and the mallet used again. The impression left on the paper is the first proof. See proof marks, page [27]. In school, it is wise to have the pupils read their own proofs.

Fig. 16.

To correct a galley. Then with the marked proof before him, the compositor proceeds to correct. If only slight changes are to be made, such as turning an inverted letter or taking out a capital and putting in a lower case letter, such changes may be made without lifting the type into the stick. Often lines or words are transposed, or omissions or repetitions are discovered. Such errors necessitate respacing and overrunning, by which is meant the going over several lines respacing them and crowding a word out of one line into another in order to correct an error. In such cases, it is well to lift out into the stick, the lines involved. In the matter of taking out a letter, it is necessary only to press lightly at both ends of the line with the thumb and finger of one hand, raising the line about half way out of the form, and with the other hand to remove the desired letter and allow the line to slide back into its original position. Bodkins and tweezers are dangerous and useless instruments in most instances. After the changes indicated in the first proof have been made, a second proof is taken to make sure that all corrections have been made, and that no new errors have crept in. This proof should be submitted to the instructor for approval. It may be necessary to make a number of proofs before a perfect impression is gotten. In case of a sufficient quantity of matter to necessitate its division into pages or columns, the proof is taken in the galley without tying up, Fig. 16. The form is locked tightly in the galley by means of furniture and quoins, Fig. 16. This is somewhat like the lockup described on page [32], except that furniture is placed only on one side of the mass of type.

Fig. 17.