A city of the Babylonian Irak; supposed to have stood on the site where Nimrod erected his tower. Khondemir relates, in his life of Motassem, that this prince, to terminate the disputes which were perpetually happening between the inhabitants of Bagdat and his Turkish slaves, withdrew from thence, and having fixed on a situation in the plain of Catoul, there founded Samarah. He is said to have had, in the stables of this city, a hundred and thirty thousand pied horses, each of which carried, by his order, a sack of earth to a place he had chosen. By this accumulation an elevation was formed that commanded a view of all Samarah, and served for the foundation of his magnificent palace.—D’Herbelot, pp. 752, 808, 985. Anecdotes Arabes, p. 413.
[ Page 195.] ... in the most delightful succession
The great men of the East have been always fond of music. Though forbidden by the Mahometan religion, it commonly makes a part of every entertainment. Nitimur in vetitum semper. Female slaves are generally kept to amuse them and the ladies of their harems. The Persian Khanyagere seems nearly to have resembled our old English minstrel; as he usually accompanied his barbut, or lute, with heroic songs.—Richardson’s Dissertation on the Languages, etc., of Eastern Nations, p. 211.
[ Page 196.] Mani
This artist, whom Inatulla of Delhi styles the far-famed, lived in the reign of Schabur, or Sapor, the son of Ardschir Babegan, was founder of the sect of Manichæans, and was, by profession, a painter and sculptor. His pretensions, supported by an uncommon skill in mechanical contrivances, induced the ignorant to believe that his powers were more than human. After having secluded himself from his followers, under the pretence of passing a year in heaven, he produced a wonderful volume, which he affirmed to have brought from thence; containing images and figures of a marvellous nature.—D’Herbelot, p. 458. It appears, from the Arabian Nights, that Haroun al Raschid, Vathek’s grandfather, had adorned his palace and furnished his magnificent pavilion with the most capital performances of the Persian artists.
[ Page 196.] Houris
The virgins of Paradise, called, from their large black eyes, Hur al oyun. An intercourse with these, according to the institution of Mahomet, is to constitute the principal felicity of the faithful. Not formed of clay, like mortal women, they are deemed in the highest degree beautiful, and exempt from every inconvenience incident to the sex.—Al Koran; passim.
[ Page 196.] ... it was not with the orthodox that he usually held
Vathek persecuted, with extreme rigour, all who defended the eternity of the Koran; which the Sonnites, or orthodox, maintained to be uncreated, and the Motazalites and Schiites as strenuously denied.—D’Herbelot, p. 85, etc.