Trentham, Aug. 1st. GOWER.
This scheme miscarried. There is reason to think, that Swift declined to meddle in the business; and, to that circumstance, Johnson's known dislike of Swift has been often imputed.
It is mortifying to pursue a man of merit through all his difficulties; and yet this narrative must be, through many following years, the history of genius and virtue struggling with adversity. Having lost the school at Appleby, Johnson was thrown back on the metropolis. Bred to no profession, without relations, friends, or interest, he was condemned to drudgery in the service of Cave, his only patron. In November, 1738, was published a translation of Crousaz's Examen of Pope's Essay on Man; containing a succinct view of the system of the fatalists, and a confutation of their opinions; with an illustration of the doctrine of free will; and an enquiry, what view Mr. Pope might have in touching upon the Leibnitzian philosophy, and fatalism: by Mr. Crousaz, professor of philosophy and mathematics at Lausanne. This translation has been generally thought a production of Johnson's pen; but it is now known, that Mrs. Elizabeth Carter has acknowledged it to be one of her early performances. It is certain, however, that Johnson was eager to promote the publication. He considered the foreign philosopher as a man zealous in the cause of religion; and with him he was willing to join against the system of the fatalists, and the doctrine of Leibnitz. It is well known, that Warburton wrote a vindication of Mr. Pope; but there is reason to think, that Johnson conceived an early prejudice against the Essay on Man; and what once took root in a mind like his, was not easily eradicated. His letter to Cave on this subject is still extant, and may well justify sir John Hawkins, who inferred that Johnson was the translator of Crousaz. The conclusion of the letter is remarkable: "I am yours, Impransus." If by that Latin word was meant, that he had not dined, because he wanted the means, who can read it, even at this hour, without an aching heart?
With a mind naturally vigorous, and quickened by necessity, Johnson formed a multiplicity of projects; but most of them proved abortive. A number of small tracts issued from his pen with wonderful rapidity; such as Marmor Norfolciense; or an essay on an ancient prophetical inscription, in monkish rhyme, discovered at Lynn, in Norfolk. By Probus Britannicus. This was a pamphlet against sir Robert Walpole. According to sir John Hawkins, a warrant was issued to apprehend the author, who retired, with his wife, to an obscure lodging near Lambeth marsh, and there eluded the search of the messengers. But this story has no foundation in truth. Johnson was never known to mention such an incident in his life; and Mr. Steele, late of the treasury, caused diligent search to be made at the proper offices, and no trace of such a proceeding could be found. In the same year (1739) the lord chamberlain prohibited the representation of a tragedy, called Gustavus Vasa, by Henry Brooke. Under the mask of irony, Johnson published, A Vindication of the Licenser from the malicious and scandalous Aspersions of Mr. Brooke. Of these two pieces, sir John Hawkins says, "they have neither learning nor wit; nor a single ray of that genius, which has since blazed forth;" but, as they have been lately reprinted, the reader, who wishes to gratify his curiosity, is referred to the fourteenth volume of Johnson's works, published by Stockdale[h]. The lives of Boerhaave, Blake, Barratier, father Paul, and others, were, about that time, printed in the Gentleman's Magazine. The subscription of fifty pounds a year for Savage was completed; and, in July 1739, Johnson parted with the companion of his midnight hours, never to see him more. The separation was, perhaps, an advantage to him, who wanted to make a right use of his time, and even then beheld, with self-reproach, the waste occasioned by dissipation. His abstinence from wine and strong liquors began soon after the departure of Savage. What habits he contracted in the course of that acquaintance cannot now be known. The ambition of excelling in conversation, and that pride of victory, which, at times, disgraced a man of Johnson's genius, were, perhaps, native blemishes. A fierce spirit of independence, even in the midst of poverty, may be seen in Savage; and, if not thence transfused by Johnson into his own manners, it may, at least, be supposed to have gained strength from the example before him. During that connexion, there was, if we believe sir John Hawkins, a short separation between our author and his wife; but a reconciliation soon took place. Johnson loved her, and showed his affection in various modes of gallantry, which Garrick used to render ridiculous by his mimicry. The affectation of soft and fashionable airs did not become an unwieldy figure: his admiration was received by the wife with the flutter of an antiquated coquette; and both, it is well known, furnished matter for the lively genius of Garrick.
It is a mortifying reflection, that Johnson, with a store of learning and extraordinary talents, was not able, at the age of thirty, to force his way to the favour of the public:
"Slow rises worth by poverty depress'd."
"He was still," as he says himself, "to provide for the day that was passing over him." He saw Cave involved in a state of warfare with the numerous competitors, at that time, struggling with the Gentleman's Magazine; and gratitude for such supplies as Johnson received, dictated a Latin ode on the subject of that contention. The first lines,
"Urbane, nullis fesse laboribus,
Urbane, nullis victe calumniis,"
put one in mind of Casimir's ode to Pope Urban:
"Urbane, regum maxime, maxime
Urbane vatum."—