The kindness of his friends not affording him any constant supply, and the prospect of improving his fortune by enlarging his acquaintance necessarily leading him to places of expense, he found it necessary to endeavour once more at dramatic poetry; for which he was now better qualified by a more extensive knowledge and longer observation. But having been unsuccessful in comedy, though rather for want of opportunities than genius, he resolved to try whether he should not be more fortunate in exhibiting a tragedy. The story which he chose for the subject was that of Sir Thomas Overbury, a story well adapted to the stage, though perhaps not far enough removed from the present age to admit properly the fictions necessary to complete the plan; for the mind, which naturally loves truth, is always most offended with the violation of those truths of which we are most certain; and we of course conceive those facts most certain which approach nearer to our own time. Out of this story he formed a tragedy, which, if the circumstances in which he wrote it be considered, will afford at once an uncommon proof of strength of genius and evenness of mind, of a serenity not to be ruffled and an imagination not to be suppressed.
During a considerable part of the time in which he was employed upon this performance, he was without lodging, and often without meat; nor had he any other conveniences for study than the fields or the streets allowed him; there he used to walk and form his speeches, and afterwards step into a shop, beg for a few moments the use of the pen and ink, and write down what he had composed upon paper which he had picked up by accident.
If the performance of a writer thus distressed is not perfect, its faults ought surely to be imputed to a cause very different from want of genius, and must rather excite pity than provoke censure. But when, under these discouragements, the tragedy was finished, there yet remained the labour of introducing it on the stage, an undertaking which, to an ingenuous mind, was in a very high degree vexatious and disgusting; for, having little interest or reputation, he was obliged to submit himself wholly to the players, and admit, with whatever reluctance, the emendations of Mr. Cibber, which he always considered as the disgrace of his performance. He had, indeed, in Mr. Hill another critic of a very different class, from whose friendship he received great assistance on many occasions, and whom he never mentioned but with the utmost tenderness and regard. He had been for some time distinguished by him with very particular kindness, and on this occasion it was natural to apply to him as an author of an established character. He therefore sent this tragedy to him, with a short copy of verses, in which he desired his correction. Mr. Hill, whose humanity and politeness are generally known, readily complied with his request; but as he is remarkable for singularity of sentiment, and bold experiments in language, Mr. Savage did not think this play much improved by his innovation, and had even at that time the courage to reject several passages which he could not approve; and, what is still more laudable, Mr. Hill had the generosity not to resent the neglect of his alterations, but wrote the prologue and epilogue, in which he touches on the circumstances of the author with great tenderness.
After all these obstructions and compliances, he was only able to bring his play upon the stage in the summer, when the chief actors had retired, and the rest were in possession of the house for their own advantage. Among these, Mr. Savage was admitted to play the part of Sir Thomas Overbury, by which he gained no great reputation, the theatre being a province for which nature seems not to have designed him; for neither his voice, look, nor gesture were such as were expected on the stage, and he was so much ashamed of having been reduced to appear as a player, that he always blotted out his name from the list when a copy of his tragedy was to be shown to his friends.
In the publication of his performance he was more successful, for the rays of genius that glimmered in it, that glimmered through all the mists which poverty and Cibber had been able to spread over it, procured him the notice and esteem of many persons eminent for their rank, their virtue, and their wit. Of this play, acted, printed, and dedicated, the accumulated profits arose to a hundred pounds, which he thought at that time a very large sum, having been never master of so much before.
In the dedication, for which he received ten guineas, there is nothing remarkable. The preface contains a very liberal encomium on the blooming excellence of Mr. Theophilus Cibber, which Mr. Savage could not in the latter part of his life see his friends about to read without snatching the play out of their hands. The generosity of Mr. Hill did not end on this occasion; for afterwards, when Mr. Savage’s necessities returned, he encouraged a subscription to a Miscellany of Poems in a very extraordinary manner, by publishing his story in the Plain Dealer, with some affecting lines, which he asserts to have been written by Mr. Savage upon the treatment received by him from his mother, but of which he was himself the author, as Mr. Savage afterwards declared. These lines, and the paper in which they were inserted, had a very powerful effect upon all but his mother, whom, by making her cruelty more public, they only hardened in her aversion.
Mr. Hill not only promoted the subscription to the Miscellany, but furnished likewise the greatest part of the poems of which it is composed, and particularly “The Happy Man,” which he published as a specimen.
The subscriptions of those whom these papers should influence to patronise merit in distress, without any other solicitation, were directed to be left at Button’s Coffee-house; and Mr. Savage going thither a few days afterwards, without expectation of any effect from his proposal, found, to his surprise, seventy guineas, which had been sent him in consequence of the compassion excited by Mr. Hill’s pathetic representation.
To this Miscellany he wrote a preface, in which he gives an account of his mother’s cruelty in a very uncommon strain of humour, and with a gaiety of imagination which the success of his subscription probably produced. The dedication is addressed to the Lady Mary Wortley Montagu, whom he flatters without reserve, and, to confess the truth, with very little art. The same observation may be extended to all his dedications: his compliments are constrained and violent, heaped together without the grace of order, or the decency of introduction. He seems to have written his panegyrics for the perusal only of his patrons, and to imagine that he had no other task than to pamper them with praises, however gross, and that flattery would make its way to the heart, without the assistance of elegance or invention.
Soon afterwards the death of the king furnished a general subject for a poetical contest, in which Mr. Savage engaged, and is allowed to have carried the prize of honour from his competitors: but I know not whether he gained by his performance any other advantage than the increase of his reputation, though it must certainly have been with farther views that he prevailed upon himself to attempt a species of writing, of which all the topics had been long before exhausted, and which was made at once difficult by the multitudes that had failed in it, and those that had succeeded.