When the Marquis of Wharton was appointed Lord Lieutenant of Ireland, Addison attended him as his secretary; and was made Keeper of the Records, in Birmingham’s Tower, with a salary of three hundred pounds a year. The office was little more than nominal, and the salary was augmented for his accommodation. Interest and faction allow little to the operation of particular dispositions or private opinions. Two men of personal characters more opposite than those of Wharton and Addison could not easily be brought together. Wharton was impious, profligate, and shameless; without regard, or appearance of regard, to right and wrong. Whatever is contrary to this may be said of Addison; but as agents of a party they were connected, and how they adjusted their other sentiments we cannot know.

Addison must, however, not be too hastily condemned. It is not necessary to refuse benefits from a bad man when the acceptance implies no approbation of his crimes; nor has the subordinate officer any obligation to examine the opinions or conduct of those under whom he acts, except that he may not be made the instrument of wickedness. It is reasonable to suppose that Addison counteracted, as far as he was able, the malignant and blasting influence of the Lieutenant; and that at least by his intervention some good was done, and some mischief prevented. When he was in office he made a law to himself, as Swift has recorded, never to remit his regular fees in civility to his friends: “for,” said he, “I may have a hundred friends; and if my fee be two guineas, I shall, by relinquishing my right, lose two hundred guineas, and no friend gain more than two; there is therefore no proportion between the good imparted and the evil suffered.” He was in Ireland when Steele, without any communication of his design, began the publication of the Tatler; but he was not long concealed; by inserting a remark on Virgil which Addison had given him he discovered himself. It is, indeed, not easy for any man to write upon literature or common life so as not to make himself known to those with whom he familiarly converses, and who are acquainted with his track of study, his favourite topic, his peculiar notions, and his habitual phrases.

If Steele desired to write in secret, he was not lucky; a single month detected him. His first Tatler was published April 22 (1709); and Addison’s contribution appeared May 26. Tickell observes that the Tatler began and was concluded without his concurrence. This is doubtless literally true; but the work did not suffer much by his unconsciousness of its commencement, or his absence at its cessation; for he continued his assistance to December 23, and the paper stopped on January 2. He did not distinguish his pieces by any signature; and I know not whether his name was not kept secret till the papers were collected into volumes.

To the Tatler, in about two months, succeeded the Spectator: a series of essays of the same kind, but written with less levity, upon a more regular plan, and published daily. Such an undertaking showed the writers not to distrust their own copiousness of materials or facility of composition, and their performance justified their confidence. They found, however, in their progress many auxiliaries. To attempt a single paper was no terrifying labour; many pieces were offered, and many were received.

Addison had enough of the zeal of party; but Steele had at that time almost nothing else. The Spectator, in one of the first papers, showed the political tenets of its authors; but a resolution was soon taken of courting general approbation by general topics, and subjects on which faction had produced no diversity of sentiments—such as literature, morality, and familiar life. To this practice they adhered with few deviations. The ardour of Steele once broke out in praise of Marlborough; and when Dr. Fleetwood prefixed to some sermons a preface overflowing with Whiggish opinions, that it might be read by the Queen, it was reprinted in the Spectator.

To teach the minuter decencies and inferior duties, to regulate the practice of daily conversation, to correct those depravities which are rather ridiculous than criminal, and remove those grievances which, if they produce no lasting calamities, impress hourly vexation, was first attempted by Casa in his book of “Manners,” and Castiglione in his “Courtier:” two books yet celebrated in Italy for purity and elegance, and which, if they are now less read, are neglected only because they have effected that reformation which their authors intended, and their precepts now are no longer wanted. Their usefulness to the age in which they were written is sufficiently attested by the translations which almost all the nations of Europe were in haste to obtain.

This species of instruction was continued, and perhaps advanced, by the French; among whom La Bruyère’s “Manners of the Age” (though, as Boileau remarked, it is written without connection) certainly deserves praise for liveliness of description and justness of observation.

Before the Tatler and Spectator, if the writers for the theatre are excepted, England had no masters of common life. No writers had yet undertaken to reform either the savageness of neglect, or the impertinence of civility; to show when to speak, or to be silent; how to refuse, or how to comply. We had many books to teach us our more important duties, and to settle opinions in philosophy or politics; but an arbiter elegantiarum, (a judge of propriety) was yet wanting who should survey the track of daily conversation, and free it from thorns and prickles, which tease the passer, though they do not wound him. For this purpose nothing is so proper as the frequent publication of short papers, which we read, not as study, but amusement. If the subject be slight, the treatise is short. The busy may find time, and the idle may find patience. This mode of conveying cheap and easy knowledge began among us in the civil war, when it was much the interest of either party to raise and fix the prejudices of the people. At that time appeared Mercurius Aulicus, Mercurius Rusticus, and Mercurius Civicus. It is said that when any title grew popular, it was stolen by the antagonist, who by this stratagem conveyed his notions to those who would not have received him had he not worn the appearance of a friend. The tumult of those unhappy days left scarcely any man leisure to treasure up occasional compositions; and so much were they neglected that a complete collection is nowhere to be found.

These Mercuries were succeeded by L’Estrange’s Observator; and that by Lesley’s Rehearsal, and perhaps by others; but hitherto nothing had been conveyed to the people, in this commodious manner, but controversy relating to the Church or State; of which they taught many to talk, whom they could not teach to judge.

It has been suggested that the Royal Society was instituted soon after the Restoration to divert the attention of the people from public discontent. The Tatler and Spectator had the same tendency; they were published at a time when two parties—loud, restless, and violent, each with plausible declarations, and each perhaps without any distinct termination of its views—were agitating the nation; to minds heated with political contest they supplied cooler and more inoffensive reflections; and it is said by Addison, in a subsequent work, that they had a perceptible influence upon the conversation of that time, and taught the frolic and the gay to unite merriment with decency—an effect which they can never wholly lose while they continue to be among the first books by which both sexes are initiated in the elegances of knowledge.