V.iv.12 (102,6) Luc. Only I yield to die:/There is so much, that then wilt kill me straight] Dr. Warburton has been much inclined to find lacunae, or passages broken by omission, throughout this play. I think he has been always mistaken. The soldier here says, Yield, or thou diest. Lucilius replies, I yield only on this condition, that I may die; here is so much gold as thou seest in my hand, which I offer thee as a reward for speedy death. What now is there wanting?
(106) General Observation. Of this tragedy many particular passages deserve regard, and the contention and reconcilement of Brutus and Cassius is universally celebrated; but I have never been strongly agitated in perusing it, and think it somewhat cold and unaffecting, compared with some other of Shakespeare's plays; his adherence to the real story, and to Roman manners, seems to have impeded the natural vigour of his genius.
ANTONY AND CLEOPATRA
I.i.9 (110,2) And is become the bellows, and the fan,/To cool a gypsy's lust] In this passage something seems to be wanting. The bellows and fan being commonly used for contrary purposes, were probably opposed by the author, who might perhaps have written,
—is become the bellows, and the fan,
To kindle and to cool a gypsy's lust.
I.i.10 (110,3) gypsy's lust] Gypsy is here used both in the original meaning for an Egyptian, and in its accidental sense for a bad woman.
1.i.17 (110,6) Then must thou needs find out new heaven] Thou must set the boundary of my love at a greater distance than the present visible universe affords.
1.i.18 (110,7) The sum] Be brief, sum thy business in a few words.
I.i.33 (111,8) and the wide arch/Of the rang'd empire fall!] [Taken from the Roman custom of raising triumphal arches to perpetuate their victories. Extremely noble. WARBURTON.] I am in doubt whether Shakespeare had any idea but of a fabrick standing on pillars. The later editions have all printed the raised empire, for the ranged empire, as it was first given, (see 1765, VII, 107, 8)