[!--Note--] ([31]) Rambler, No. 77.
[!--Note--] ([32]) Ita feri ut se sentiat emori.
CONTENTS
OF
THE FIRST VOLUME.
| Numb. | Page | |
| 1. | Difficulty of the first address. Practice of the epick poets. Convenience of periodical performances. | [1] |
| 2. | The necessity and danger of looking into futurity. Writers naturally sanguine. Their hopes liable to disappointment. | [6] |
| 3. | An allegory on criticism. | [11] |
| 4. | The modern form of romances preferable to the ancient. The necessity of characters morally good. | [15] |
| 5. | A meditation on the Spring. | [20] |
| 6. | Happiness not local. | [25] |
| 7. | Retirement natural to a great mind. Its religious use. | [30] |
| 8. | The thoughts to be brought under regulation; as they respect the past, present, and future. | [35] |
| 9. | The fondness of every man for his profession. The gradual improvement of manufactures. | [40] |
| 10. | Four billets, with their answers. Remarks on masquerades. | [44] |
| 11. | The folly of anger. The misery of a peevish old age. | [50] |
| 12. | The history of a young woman that came to London for a service. | [55] |
| 13. | The duty of secrecy. The invalidity of all excuses for betraying secrets. | [61] |
| 14. | The difference between an author's writings and his conversation. | [66] |
| 15. | The folly of cards. A letter from a lady that has lost her money. | [72] |
| 16. | The dangers and miseries of a literary eminence. | [78] |
| 17. | The frequent contemplation of death necessary to moderate the passions. | [83] |
| 18. | The unhappiness of marriage caused by irregular motives of choice. | [87] |
| 19. | The danger of ranging from one study to another. The importance of the early choice of a profession. | [93] |
| 20. | The folly and inconvenience of affectation. | [99] |
| 21. | The anxieties of literature not less than those of publick stations. The inequality of authors' writings. | [104] |
| 22. | An allegory on wit and learning. | [109] |
| 23. | The contrariety of criticism. The vanity of objection. An author obliged to depend upon his own judgment. | [113] |
| 24. | The necessity of attending to the duties of common life. The natural character not to be forsaken. | [117] |
| 25. | Rashness preferable to cowardice. Enterprize not to be repressed. | [122] |
| 26. | The mischief of extravagance, and misery of dependence. | [127] |
| 27. | An author's treatment from six patrons. | [132] |
| 28. | The various arts of self-delusion. | [136] |
| 29. | The folly of anticipating misfortunes. | [142] |
| 30. | The observance of Sunday recommended; an allegory. | [146] |
| 31. | The defence of a known mistake highly culpable. | [150] |
| 32. | The vanity of stoicism. The necessity of patience. | [156] |
| 33. | An allegorical history of Rest and Labour. | [161] |
| 34. | The uneasiness and disgust of female cowardice. | [165] |
| 35. | A marriage of prudence without affection. | [171] |
| 36. | The reasons why pastorals delight. | [176] |
| 37. | The true principles of pastoral poetry. | [180] |
| 38. | The advantages of mediocrity; an eastern fable. | [185] |
| 39. | The unhappiness of women whether single or married. | [190] |
| 40. | The difficulty of giving advice without offending. | [194] |
| 41. | The advantages of memory. | [199] |
| 42. | The misery of a modish lady in solitude. | [204] |
| 43. | The inconveniences of precipitation and confidence. | [208] |
| 44. | Religion and Superstition; a vision. | [213] |
| 45. | The causes of disagreement in marriage. | [218] |
| 46. | The mischiefs of rural faction. | [222] |
| 47. | The proper means of regulating sorrow. | [227] |
| 48. | The miseries of an infirm constitution. | [231] |
| 49. | A disquisition upon the value of fame. | [235] |
| 50. | A virtuous old age always reverenced. | [240] |
| 51. | The employments of a housewife in the country. | [244] |
| 52. | The contemplation of the calamities of others, a remedy for grief. | [250] |
| 53. | The folly and misery of a spendthrift. | [254] |
| 54. | A death-bed the true school of wisdom. The effects of death upon the survivors. | [258] |
| 55. | The gay widow's impatience of the growth of her daughter. The history of Miss May-pole. | [263] |
| 56. | The necessity of complaisance. The Rambler's grief for offending his correspondents. | [268] |
| 57. | Sententious rules of frugality. | [273] |
| 58. | The desire of wealth moderated by philosophy. | [277] |
| 59. | An account of Suspirius, the human screech-owl. | [281] |
| 60. | The dignity and usefulness of biography. | [285] |
| 61. | A Londoner's visit to the country. | [290] |
| 62. | A young lady's impatience to see London. | [295] |
| 63. | Inconstancy not always a weakness. | [300] |
| 64. | The requisites to true friendship. | [304] |
| 65. | Obidah and the hermit; an eastern story. | [309] |
| 66. | Passion not to be eradicated. The views of women ill directed. | [313] |
| 67. | The garden of Hope; a dream. | [317] |
| 68. | Every man chiefly happy or miserable at home. The opinion of servants not to be despised. | [322] |
| 69. | The miseries and prejudice of old age. | [326] |
| 70. | Different men virtuous in different degrees. The vicious not always abandoned. | [330] |
| 71. | No man believes that his own life will be short. | [334] |
| 72. | The necessity of good humour. | [338] |
| 73. | The lingering expectation of an heir. | [342] |
| 74. | Peevishness equally wretched and offensive. The character of Tetrica. | [347] |
| 75. | The world never known but by a change of fortune. The history of Melissa. | [352] |
| 76. | The arts by which bad men are reconciled to themselves. | [357] |
| 77. | The learned seldom despised but when they deserve contempt. | [361] |
| 78. | The power of novelty. Mortality too familiar to raise apprehensions. | [366] |
| 79. | A suspicious man justly suspected. | [370] |
| 80. | Variety necessary to happiness; a winter scene. | [375] |
| 81. | The great rule of action. Debts of justice to be distinguished from debts of charity. | [369] |
| 82. | The virtuoso's account of his rarities. | [383] |
| 83. | The virtuoso's curiosity justified. | [388] |
| 84. | A young lady's impatience of controul. | [393] |
| 85. | The mischiefs of total idleness. | [398] |
| 86. | The danger of succeeding a great author: an introduction to a criticism on Milton's versification. | [402] |
| 87. | The reasons why advice is generally ineffectual. | [408] |
| 88. | A criticism on Milton's versification. Elisions dangerous in English poetry. | [412] |
| 89. | The luxury of vain imagination. | [417] |
| 90. | The pauses in English poetry adjusted. | [421] |
| 91. | The conduct of Patronage; an allegory. | [426] |
| 92. | The accommodation of sound to the sense, often chimerical. | [431] |
| 93. | The prejudices and caprices of criticism. | [438] |
| 94. | An inquiry how far Milton has accommodated the sound to the sense. | [442] |
| 95. | The history of Pertinax the sceptick. | [449] |
| 96. | Truth, Falsehood, and Fiction; an allegory. | [453] |
| 97. | Advice to unmarried ladies. | [458] |
| 98. | The necessity of cultivating politeness. | [464] |
| 99. | The pleasures of private friendship. The necessity of similar dispositions. | [468] |
| 100. | Modish pleasures. | [472] |
| 101. | A proper audience necessary to a wit. | [476] |
| 102. | The voyage of life. | [481] |
| 103. | The prevalence of curiosity. The character of Nugaculus. | [486] |
| 104. | The original of flattery. The meanness of venal praise. | [491] |
| 105. | The universal register; a dream. | [495] |
THE
RAMBLER.
No. 1.
TUESDAY, MARCH 20, 1749-50.
Cur tamen hoc potius libeat decurrere campo,