This precept is to be understood in its rigour only with respect to great and essential events, and cannot be extended in the same force to minuter circumstances and arbitrary decorations, which yet are more happy, as they contribute more to the main design; for it is always a proof of extensive thought and accurate circumspection, to promote various purposes by the same act; and the idea of an ornament admits use, though it seems to exclude necessity.
Whoever purposes, as it is expressed by Milton, to build the lofty rhyme, must acquaint himself with this law of poetical architecture, and take care that his edifice be solid as well as beautiful; that nothing stand single or independent, so as that it may be taken away without injuring the rest; but that, from the foundation to the pinnacles, one part rest firm upon another.
The regular and consequential distribution is among common authors frequently neglected; but the failures of those, whose example can have no influence, may be safely overlooked, nor is it of much use to recall obscure and unguarded names to memory for the sake of sporting with their infamy. But if there is any writer whose genius can embellish impropriety, and whose authority can make errour venerable, his works are the proper objects of critical inquisition. To expunge faults where there are no excellencies is a task equally useless with that of the chymist, who employs the arts of separation and refinement upon ore in which no precious metal is contained to reward his operations.
The tragedy of Samson Agonistes has been celebrated as the second work of the great author of Paradise Lost, and opposed, with all the confidence of triumph, to the dramatick performances of other nations. It contains, indeed, just sentiments, maxims of wisdom, and oracles of piety, and many passages written with the ancient spirit of choral poetry, in which there is a just and pleasing mixture of Seneca's moral declamation, with the wild enthusiasm of the Greek writers. It is, therefore, worthy of examination, whether a performance thus illuminated with genius, and enriched with learning, is composed according to the indispensable laws of Aristotelian criticism: and, omitting, at present, all other considerations, whether it exhibits a beginning, a middle, and an end.
The beginning is undoubtedly beautiful and proper, opening with a graceful abruptness, and proceeding naturally to a mournful recital of facts necessary to be known:
Samson. A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of sun and shade:
There I am wont to sit, when any chance
Relieves me from my task of servile toil,
Daily in the common prison else enjoin'd me.—
O, wherefore was my birth from Heav'n foretold
Twice by an Angel?—
Why was my breeding order'd and prescrib'd,
As of a person separate to God,
Design'd for great exploits; if I must die
Betray'd, captiv'd, and both my eyes put out?—
Whom have I to complain of but myself?
Who this high gift of strength committed to me,
In what part lodg'd, how easily bereft me,
Under the seal of silence could not keep:
But weakly to a woman must reveal it.
His soliloquy is interrupted by a chorus or company of men of his own tribe, who condole his miseries, extenuate his fault, and conclude with a solemn vindication of divine justice. So that at the conclusion of the first act there is no design laid, no discovery made, nor any disposition formed towards the consequent event.
In the second act, Manoah, the father of Samson, comes to seek his son, and, being shewn him by the chorus, breaks out into lamentations of his misery, and comparisons of his present with his former state, representing to him the ignominy which his religion suffers, by the festival this day celebrated in honour of Dagon, to whom the idolaters ascribed his overthrow.
—Thou bear'st
Enough, and more, the burthen of that fault;
Bitterly hast thou paid, and still art paying
That rigid score. A worse thing yet remains,
This day the Philistines a popular feast
Here celebrate in Gaza; and proclaim
Great pomp, and sacrifice, and praises loud
To Dagon, as their God who hath deliver'd
Thee, Samson, bound and blind, into their hands,
Them out of thine, who slew'st them many a slain.
Samson, touched with this reproach, makes a reply equally penitential and pious, which his father considers as the effusion of prophetick confidence: