Many other emendations, of the same kind, might be made, without any greater deviation from the printed copies, than is found in each of them from the rest.
NOTE XXIII.
Macbeth.—Here, lay Duncan, His silver skin laced with his golden blood; And his gash'd stabs look'd like a breach in nature, For ruin's wasteful entrance: there, the murtherers Steep'd in the colours of their trade, their daggers Unmannerly breech'd with gore.—
An unmannerly dagger, and a dagger breech'd, or as in some editions breach'd with gore, are expressions not easily to be understood, nor can it be imagined that Shakespeare would reproach the murderer of his king only with want of manners. There are, undoubtedly, two faults in this passage, which I have endeavoured to take away by reading,
—Daggers
Unmanly drench'd with gore.—
I saw drench'd with the king's Mood the fatal daggers, not only instruments of murder but evidences of cowardice.
Each of these words might easily be confounded with that which I have substituted for it by a hand not exact, a casual blot, or a negligent inspection.
Mr. Pope has endeavoured to improve one of these lines, by substituting goary blood for golden blood, but it may easily be admitted, that he who could on such an occasion talk of lacing the silver skin, would lace it with golden blood. No amendment can be made to this line, of which every word is equally faulty, but by a general blot.
It is not improbable, that Shakespeare put these forced and unnatural metaphors into the mouth of Macbeth, as a mark of artifice and dissimulation, to show the difference between the studied language of hypocrisy, and the natural outcries of sudden passion. This whole speech, considered in this light, is a remarkable instance of judgment, as if consists entirely of antitheses and metaphors.