Bobbin, or pillow-made, lace is the highest artistic development of twisted and plaited threads. It is made from a large number of threads attached by means of pins to an oval-shaped cushion or pillow, each thread being wound upon a small bobbin. The design, as in the making of needle-point lace, is first drawn on stiff paper or parchment, and carefully stretched over the pillow. Then the pattern is pricked out along the outline of the drawing and small pins are introduced at close intervals, around which the threads work to form the various meshes and openings. From right to left the thread is bound lightly upon the bobbins and tied at the top of each in a loop that permits it gradually to slip off the bobbin when gently pulled, as occurs generally when working.

The worker begins by interlacing the bobbins, which are used in pairs, placing small pins in all perforations, and crossing the bobbins after the insertion of each pin. Around these pins the design is formed, the threads being crossed and recrossed and passed under and over each other with remarkable rapidity and accuracy. When the whole width of the large piece of lace is carried on together the number of bobbins and pins is very great and the work highly expensive, but it is customary to work each sprig separately, these being joined together in the form of a strip afterward by means of a curious loop-stitch, made by a hook called a needle-pin.

Scarcely had lace been invented before it had assumed almost priceless value, and it is worth while remarking here that though centuries have since elapsed, the value of these delicate, hand-wrought fabrics has not in any sense diminished. Throughout the sixteenth, seventeenth, eighteenth and nineteenth centuries rare lace of beautiful pattern has been highly prized, some of the earliest specimens, in the possession of world-famous libraries and museums, being of relatively fabulous wealth.

Real Irish Point.
Real Valenciennes.