There are two very different kinds of humor. One we naturally describe as a flavor, the other as an atmosphere. We speak of the flavor of the essays of Charles Lamb. It is a discovery we make very much as Bobo made the discovery of roast pig. The mind of Charles Lamb was like a capacious kettle hanging from the crane in the fireplace; all sorts of savory ingredients were thrown into it, and the whole was kept gently simmering, but never allowed to come to the boil.
Lamb says, "C. declares that a man cannot have a good conscience who refuses apple dumpling, and I confess that I am of the same opinion." I am inclined to pass that kind of judgment on the person who does not have a comfortable feeling of satisfaction in reading for the twentieth time The Complaint on the Decay of Beggars, and the Praise of Chimney Sweepers.
Charles Lamb is not jocose. He likes to theorize. Now, your prosaic theorist has a very laborious task. He tries to get all the facts under one formula. This is very ticklish business. It is like the game of Pigs in Clover. He gets all the facts but one into the inner circle. By a dexterous thrust he gets that one in, and the rest are out.
Lamb is a philosopher who does not have this trouble. He does not try to fit all the facts to one theory. That seems to him too economical, when theories are so cheap. With large-hearted generosity he provides a theory for every fact. He clothes the ragged exception with all the decent habiliments of a universal law. He picks up a little ragamuffin of a fact, and warms its heart and points out its great relations. He is not afraid of generalizing from insufficient data; he has the art of making a delightful summer out of a single swallow. When we turn to the essay on the Melancholy of Tailors, we do not think of asking for statistics. If one tailor was melancholy, that was enough to justify the generalization. When we find a tailor who is not melancholy, it will be time to make another theory to fit his case.
This is the charm of Lamb's letter to the gentleman who inquired "whether a person at the age of sixty-three, with no more proficiency than a tolerable knowledge of most of the characters of the English alphabet amounts to, by dint of persevering application and good masters, may hope to arrive within a presumable number of years at that degree of attainment that would entitle the possessor to the character of a learned man." The answer is candid, serious, and exhaustive. No false hopes are encouraged. The difficulties are plainly set forth. "However," it is said, "where all cannot be compassed, much may be accomplished; but I must not, in fairness, conceal from you that you have much to do." The question is thoroughly discussed as to whether it would be well for him to enter a primary school. "You say that you stand in need of emulation; that this incitement is nowhere to be had but in the public school. But have you considered the nature of the emulation belonging to those of tender years which you would come in competition with?"
Do you think these dissertations a waste of time? If you do, it is sufficient evidence that you sadly need them; for they are the antitoxin to counteract the bacillus of pedantry. Were I appointed by the school board to consider the applicants for teachers' certificates, after they had passed the examination in the arts and sciences, I should subject them to a more rigid test. I should hand each candidate Lamb's essays on The Old and New Schoolmaster and on Imperfect Sympathies. I should make him read them to himself, while I sat by and watched. If his countenance never relaxed, as if he were inwardly saying, "That's so," I should withhold the certificate. I should not consider him a fit person to have charge of innocent youth.
Just as we naturally speak of the flavor of Charles Lamb, so we speak of the atmosphere of Cervantes or of Fielding. We are out of doors in the sunshine. All sorts of people are doing all sorts of things in all sorts of ways; and we are glad that we are there to see them. It is one of the
| "charmèd days |
| When the Genius of God doth flow; |
| The wind may alter twenty ways |
| But a tempest cannot blow." |
On such days it doesn't matter what happens. We are not "under the weather," but consciously superior to it. We are in no mood to grumble over mishaps,—the more the merrier. The master of the revels has made the brave announcement that his programme shall be carried out "rain or shine," and henceforth we have no anxieties.
This diffused good-humor can only come from a mind which is free from any taint of morbidness. It is that merry-heartedness that "doth good like medicine." It is an overflowing friendliness, which brings a laughter that is without scorn.