I am well aware that good literature—to use Matthew Arnold's phrase—is a criticism of life. But the criticism of life, with its discriminations between things which look very much alike, is pretty serious business. We cannot keep on criticising life without getting tired after a while, and longing for something a little simpler. There is a much-admired passage in Ferishtah's Fancies, in which, after mixing up the beans in his hands and speculating on their color, Ferishtah is not able to tell black from white. Ferishtah, living in a soothing climate, could stand an indefinite amount of this sort of thing; and, moreover, we must remember that he was a dervish, and dervishry, although a steady occupation, is not exacting in its requirements. In our more stimulating climate, we should bring on nervous prostration if we gave ourselves unremittingly to the discrimination between all the possible variations of blackishness and whitishness. We must relieve our minds by occasionally finding something about which there can be no doubt. When my eyes rested on the woodcut that adorns the first page of "The Pirate's Own Book," I felt the rest that comes from perfect certainty in my own moral judgment. Ferishtah himself could not have mixed me up. Here was black without a redeeming spot. On looking upon this pirate, I felt relieved from any criticism of life; here was something beneath criticism. I was no longer tossed about on a chop sea, with its conflicting waves of feeling and judgment, but was borne along triumphantly on a bounding billow of moral reprobation.
As I looked over the headings of the chapters, I was struck by their straightforward and undisguised character. When I read the chapter entitled The Savage Appearance of the Pirates, and compared this with the illustrations, I said, "How true!" Then there was a chapter on the Deceitful Character of the Malays. I had always suspected that the Malays were deceitful, and here I found my impressions justified by competent authority. Then I dipped into the preface, and found the same transparent candor. "A piratical crew," says the author, "is generally formed of the desperadoes and renegades of every clime and nation." Again I said, "Just what I should have expected. The writer is evidently one who 'nothing extenuates.'" Then follows a further description of the pirate: "The pirate, from the perilous nature of his occupation, when not cruising on the ocean, that great highway of nations, selects the most lonely isles of the sea for his retreat, or secretes himself near the shores of bays and lagoons of thickly wooded and uninhabited countries." Just the places where I should have expected him to settle.
"The pirate, when not engaged in robbing, passes his time in singing old songs with choruses like,—
| 'Drain, drain the bowl, each fearless soul! |
| Let the world wag as it will; |
| Let the heavens growl, let the devil howl, |
| Drain, drain the deep bowl and fill!' |
Thus his hours of relaxation are passed in wild and extravagant frolics, amongst the lofty forests and spicy groves of the torrid zone, and amidst the aromatic and beautiful flowering vegetable products of that region."
Again: "With the name of pirate is also associated ideas of rich plunder,—caskets of buried jewels, chests of gold ingots, bags of outlandish coins, secreted in lonely out-of-the-way places, or buried about the wild shores of rivers and unexplored seacoasts, near rocks and trees bearing mysterious marks, indicating where the treasure is hid." "As it is his invariable practice to secrete and bury his booty, and from the perilous life he lives being often killed, he can never revisit the spot again, immense sums remaining buried in these places are irrevocably lost." Is it any wonder that, with such an introduction, I became interested?
After a perusal of the book, I am inclined to think that a pirate may be a better person to read about than some persons who stand higher in the moral scale. Compare, if you will, a pirate and a pessimist. As a citizen and neighbor I should prefer the pessimist. A pessimist is an excellent and highly educated gentleman, who has been so unfortunate as to be born into a world which is inadequate to his expectations. Naturally he feels that he has a grievance, and in airing his grievance he makes himself unpopular; but it is certainly not his fault that the universe is no better than it is. On the other hand, a pirate is a bad character; yet as a subject of biography he is more inspiring than the pessimist. In one case, we have the impression of one good man in a totally depraved world; in the other case, we have a totally depraved man in what but for him would be a very good world. I know of nothing that gives one a more genial appreciation of average human nature, or a greater tolerance for the foibles of one's acquaintances, than the contrast with an unmitigated pirate.
My copy of "The Pirate's Own Book" belongs to the edition of 1837. On the fly-leaf it bore in prim handwriting the name of a lady who for many years must have treasured it. I like to think of this unknown lady in connection with the book. I know that she must have been an excellent soul, and I have no doubt that her New England conscience pointed to the moral law as the needle to the pole; but she was a wise woman, and knew that if she was to keep her conscience in good repair she must give it some reasonable relaxation. I am sure that she was a woman of versatile philanthropy, and that every moment she had the ability to make two duties grow where only one had grown before. After, however, attending the requisite number of lectures to improve her mind, and considering in committees plans to improve other people's minds forcibly, and going to meetings to lament over the condition of those who had no minds to improve, this good lady would feel that she had earned a right to a few minutes' respite. So she would take up "The Pirate's Own Book," and feel a creepy sensation that would be an effectual counter-irritant to all her anxieties for the welfare of the race. Things might be going slowly, and there were not half as many societies as there ought to be, and the world might be in a bad way; but then it was not so bad as it was in the days of Black Beard; and the poor people who did not have any societies to belong to were, after all, not so badly off as the sailors whom the atrocious Nicola left on a desert island, with nothing but a blunderbuss and Mr. Brooks's Family Prayer Book. In fact, it is expressly stated that the pirates refused to give them a cake of soap. To be on a desert island destitute of soap made the common evils of life appear trifling. She had been worried about the wicked people who would not do their duty, however faithfully they had been prodded up to it, who would not be life members on payment of fifty dollars, and who would not be annual members on payment of a dollar and signing the constitution, and who in their hard and impenitent hearts would not even sit on the platform at the annual meeting; but somehow their guilt seemed less extreme after she had studied again the picture of Captain Kidd burying his Bible in the sands near Plymouth. A man who would bury his Bible, using a spade several times too large for him, and who would strike such a world-defying attitude while doing it, made the sin of not joining the society appear almost venial. In this manner she gained a certain moral perspective; even after days when the public was unusually dilatory about reforms, and the wheels of progress had begun to squeak, she would get a good night's sleep. Contrasting the public with the black background of absolute piracy, she grew tolerant of its shortcomings, and learned the truth of George Herbert's saying, that "pleasantness of disposition is a great key to do good."
Not only is a pirate a more comfortable person to read about than a pessimist, but in many respects he is a more comfortable person to read about than a philanthropist. The minute the philanthropist is introduced, the author begins to show his own cleverness by discovering flaws in his motives. You begin to see that the poor man has his limitations. Perhaps his philanthropies are of a different kind from yours, and that irritates you. Musical people, whom I have heard criticise other musical people, seem more offended when some one flats just a little than when he makes a big ear-splitting discord; and moralists are apt to have the same fastidiousness. The philanthropist is made the victim of the most cruel kind of vivisection,—a character-study.
Here is a fragment of conversation from a study of character: "'That was really heroic,' said Felix. 'That was what he wanted to do,' Gertrude went on. 'He wanted to be magnanimous; he wanted to have a fine moral pleasure; he made up his mind to do his duty; he felt sublime,—that's how he likes to feel.'"