McNally started. During the long silence he had been feasting on Katherine's beauty. He was not a young man, but as he gazed at the earnest young face before him, and at the masses of shining hair, half in shadow, half in light, he felt a sudden loneliness, a sudden realization of what such a woman could be to him, what an influence she might have upon his life. And losing for the moment the self-poise that was his proudest accomplishment, Mr. McNally stammered.
“Oh,” he said, “we couldn't—it wouldn't do—”
From the change in every line of Katherine's pose he knew that he had said enough. She had turned half away from him and was standing rigid, looking out into the night. Glancing at her dimly outlined profile, McNally could see that her lips were pressed closely together. He pulled himself together and stood up.
“Why not go in and have some music?” he asked. “This conversation is too serious for such an evening.”
Katherine bowed and led the way into the house. As they passed through the library toward the piano she paused to turn the electric-light key. With the flood of light Katherine's ease returned, and she laughed lightly as she pointed to a gaudily decorated sheet of music on the piano.
“Shocking, isn't it?” she said. “That's the kind of music we play down here in the country. We need your influence to keep us from degenerating musically. Play me something good.”
McNally glanced at her with a laugh.
“Coon songs, eh?” he replied. “Well, some of them aren't so bad.” He sat down at the instrument and let his hands slip over the keys. Katherine sank upon the broad couch in the corner. She was apparently her old self, friendly and interested in Mr. McNally and his music, but there was nevertheless a distinct change. McNally felt the difference and tried to throw it off, but the force of the situation grew upon him. Slowly he realized that in spite of her pretensions she was not really in sympathy either with him or with her father. He struck into a Liszt rhapsody with all the fervor he could muster.
McNally was a good musician. He possessed the power, lacking in many better pianists, of using music as a medium to connect his own and his listener's moods; but to-night he fell short, and he knew it. He stole a glance at Katherine. She looked exactly as usual, but still there was a difference that baffled him. He threw all his art into the music. He labored to color it with sincerity and strength. But all the while he knew that the ground was lost. What he did not know was that Katherine was passing through a crisis, and that her thoughts were miles away from him and his rhapsody. He ended with unusual brilliancy, and she smiled with pleasure and thanked him simply, but still he felt the change. Then Porter came in, and after a brief general conversation Katherine withdrew.
She did not go at once to her room. Instead, she slipped out on the little second-floor balcony and sat down to be alone and to think. She had made an honest effort to throw her interest with her father and with what she believed to be her duty, and now that the evening was gone she had nothing to show for it. For a very few moments she wondered at it all, and at the fate which seemed to draw her toward Harvey. Then, as the thought of him again took concrete form, and as the last two days with him came back to her mind, her whole heart went out to him, and she was startled, frightened at the strength of his hold upon her. For a moment she gave herself up to dreams, dreams of a better, sweeter existence than any she had dared to imagine, then came the thought of her father, and Katherine broke down.