'Well,' she remarked dryly, 'he's been in there. The parlour's lighted.'
Mildred stirred. 'Please!' she murmured. 'Just give me a minute or two. I'm going with you.'
'Suppose,' said Corinne, 'he has seen the initials.'
Mildred's eyes sought Humphrey's. For a long instant, her head back on his shoulder, she gazed at him with an intensity that Henry had not before seen on a woman's face. It was as if she had forgotten himself and Corinne. And then Humphrey's arm tightened about her, as if he, too, had forgotten every one and everything else.
Henry had to turn away.
He walked to the corner. Neither Humphrey nor Mildred knew whether he went or stayed. Corinne was frowning down at them; thinking desperately.
Henry stared at the house, at the dim solitary figure on the top step, at the little red light of the cigar that came and went with the puffs.
Henry was breathing hard. His face was burning hot. He hated conflicts, fights; hated them so deeply, felt so inadequate when himself involved, that emotion usually overcame him. Therefore he fought rather frequently, and, on occasions, rather effectively. Emotion will win a fight as often as reason.
He considered getting Humphrey to one side, making him listen to reason. He dwelt on the phrase. The mere thought of Mildred being driven back into that house, into the hands of her legal husband, stirred that tendency to sob. He set his teeth on it. They could take her back to the rooms. He would move out. For that matter, if it would save her reputation, they could both move out. At once. But would it save her reputation?
He took off his hat; pressed a hand to his forehead; then fussed with his little moustache. Then, as a new thought was born in his brain, born of his emotions, he gave a little start. He looked back at the shadowy group about the Ames's horse block. Apparently they hadn't moved. He looked at his shoes, tennis shoes with rubber soles.