The sampan had just returned to the junk. The two soldiers were walking; rapidly inland after Connor's party. She let herself quickly over the side; stepped into the sampan; waved toward the shore. Meekly the cowed oarsmen obeyed the pantomime order.

She stepped out on the bank, very slim, almost pretty; tossed a Chinese Mexican dollar into the boat, watched, with a faint, reflective smile, the two primitive creatures as they fought over it; then walked briskly, not without a trace of native elegance in her carriage, after the soldiers, lightly swinging her shopping bag.


CHAPTER IX—IN A GARDEN

THE road—narrow, worn to a deep-rutted little canyon—circled a brown hill, rose into a mud-gray village, where a few listless children played among the dogs, and a few apathetic beggars, and vendors of cakes, and wrinkled old women stared at the thin white girl who walked rapidly and alone; wound on below the surface of the cultivated fields; came, at length, to a wall of gray-brick crowned with tiles of bright yellow glaze and a ridge-piece of green, and at last to a gate house with a heavily ornamented roof of timbers and tiles. Other roofs appeared just beyond, and interlacing foliage that was tinged, here and there, with the red and yellow and bronze of autumn.

The great gates, of heavy plank studded with iron spikes, stood open, apparently unattended. Dixie Carmichael paused; pursed her lips. Her coolly searching eyes noted an incandescent light bulb set in the massive lintel. This, perhaps, would be the place. Almost absently, peering through into tiled courtyards, she took two of the green tablets from her pocket; then, holding them in her hand, stepped within, and stood listening. The rustling of the leaves, she heard, as they swayed in a pleasant breeze, and a softly musical tinkling sound; then a murmur that might be voices at a distance and in some confusion; and then, sharply, with an unearthly thrill, the silver scream of a girl.... Yes, this would be the place.

The buildings on either hand were silent. Doors stood open. Paper windows were torn here and there, and the woodwork broken in. But the flowers and the dwarf trees from Japan that stood in jars of Ming pottery were undisturbed.

She passed through an inner gate and around a screen of brick and found herself in a park. There was a waterfall in a rockery, and a stream, and a tiny lake. A path led over a series of little arching bridges of marble into the grove beyond; and through the trees there she caught glimpses of elaborate yellow roofs. On either hand stood pai-lows—decorative arches in the pretentious Chinese manner—and beyond each a roofed pavilion built over a bridge.... She considered these; after a moment sauntered under the pai-low at her right, mounted the steps and dropped on the ornamented seat behind a leafy vine. Here she was sheltered from view, yet her eyes commanded both the main gate and the way over the marble bridges to the buildings in the grove.

She looked about with a sense of quiet pleasure at the gilded fretwork beneath the curving eaves of the pavilion, the painted scrolls above them, and the smooth found columns of aged nanmu wood that was in color like dead oak leaves and that still exhaled a vague perfume. The tinkling sound set up again as another breeze wandered by; and looking up she saw four small bells of bronze suspended from the eaves.... She sat very still, listening, looking, thinking, drawing in with a deep inhalation the exquisite fragrance of the nanmu wood. It might be pleasant, one day, to lease or even buy a home like this. So ran her alert thoughts.