Peter, twitching with irritation, sat up and snorted out:
“For God's sake, what's the scheme!”
The Worm regarded Peter thoughtfully and not unhumorously, as if reflecting further over his observations on genius. Then he explained:
“He's going to preach the Greenwich Village freedom on every little moving-picture screen in America—shout the new naturalism to a hypocritical world.”
“Has he worked out his story?” asked Hy.
“In the rough, I think. But he wants a practical theatrical man to give it form and put it over. That's where Pete comes in.... Get it? It's during stuff. He'll use Sue's finest quality, her faith, as well as her grace of body. What I could get out of it sounds a good deal like the Garden of Eden story without the moral. An Artzibasheff paradise. Sue says that she'll have to wear a pretty primitive costume.”
“Which doesn't bother her, I imagine,” said Hy.
“Not a bit.”
Peter, leaning back on stiff arms, staring at the opposite wall, suddenly found repictured to his mind's eye a dramatic little scene: In the Crossroads Theater, out by the ticket entrance; the audience in their seats, old Wilde, the Walrus himself, in his oddly primitive', early Methodist dress—long black coat, white bow tie, narrow strip of whisker on each grim cheek; Sue in her newsboy costume, hair cut short under the ragged felt hat, face painted for the stage, her deep-green eyes blazing. The father had said: “You have no shame, then—appearing like this?” To which the daughter had replied: “No—none!”
Hy was speaking again. “You don't mean to say that Zanin will be able to put this scheme over on Sue?”