[From the marble in the Villa Albani, Rome. The Bust is inscribed with his name. It was found together with the bust of Isocrates (No. 15).]
120. Cicero—Marcus Tullius. Roman Orator.
[Born at Arpinum, B.C. 106. Died at Formiae, B.C. 43. Aged 63.]
The acknowledged greatest name in Roman eloquence. A man diligent in accomplishing himself by various study, and wonderfully gifted with the power of clothing thought in copious and musical words. He is less distinguished as an original thinker. He frequented the schools of the philosophers, but seemed in heart more dedicated to the worldly ambition of power and fame than to the studious zeal of truth. He courted popularity, and lived in anticipated immortality. He was an ambiguous partisan, waiting to be directed by victory to the side which he should embrace. He loved to throw an air of philosophical reflexion over questions of human affairs; and his expression of these reflexions is felt even to this day as singularly felicitous. We quote his words, because we can find no apter expression yet for the permanent thoughts. His writings show him undisguisedly vain. After the assassination of the great Julius (B.C. 44), he became the leader of the republican party, and in his celebrated “Philippics” denounced Antony as the foe of his country. This was his ruin. On the formation of the Triumvirate of Antony, Octavius, and Lepidus, he was included in the proscriptions; his head was cut off, and fixed upon the Rostra which had so frequently resounded with his eloquence. His greatest political achievement was the detection and sudden overthrow of the revolutionary conspiracy headed by Catiline (B.C. 63), his brilliant denunciations of whom we listen to in our boyhood. Kind and pure in his life, but without true greatness of character, and with many moral weaknesses.
[From the marble in the Vatican. Considered to be the most faithful portrait of this renowned orator. No. 120A is from the Gallery of Philosophers of the Capitoline Museum, at Rome.]
120A. Cicero—Marcus Tullius. Roman Orator.
121. Virgil—Publius Virgilius Maro. Latin Poet.
[Born at Andes, near Mantua, in Cisalpine Gaul, B.C. 70. Died at Brundusium, in Italy, B.C. 19. Aged 51.]
The district in which Virgil was born not being then included in Italy, he did not enjoy the native rights of a Roman citizen; and when Augustus divided the lands in Cisalpine Gaul amongst his victorious veteran soldiers, Virgil was ejected from his small patrimonial farm. Upon his petitioning the emperor, however, the farm was restored to him. He was the friend of Horace, whom he introduced to Mæcenas. Besides poetry, he cultivated medicine and agriculture. He was tall, dark, rustic in appearance, and feeble in body. He was drawn by the power of genius from the obscure shade of a peasant’s life, to be the favoured poet and friend of an emperor. In his verse the native majesty of the language appears more perfectly tempered, than in any other, with grace and sweetness. Virgil is the most pathetic of the Roman poets: the heart speaks in his verse. He has the soul of the beautiful, like an earlier Raffaelle in song. His poem on Husbandry—the most finished work of his muse—is written with a cleaving of soul to the native theme. The purport of the poem was to recall the luxurious Romans to the simple and vigorous way of life of their ancestors, who lived cultivating the earth. If the rural earth and free nature could have been endeared to the voluptuous masters of the world by the charm of musical words, the Georgics might have done this. We ourselves feel the pouring of a purer atmosphere into the corrupted city. The epic poem of Virgil, “The Æneid,” relating the transplantation of a Trojan colony from the flames of falling Troy, to found (in Italy) future Rome, derives a high poetical cast from the prophetic spirit that overshadows it. Both “The Georgics” and the “Æneid” express love in the soul of the poet—love for the scenes and vocation, in which he was born—love of Rome, which he will purify or will glorify.
[From the marble in the Stanza dei Filosofi of the Capitol, at Rome. The portraits of Virgil have been verified by Bellori. The tomb of Virgil is a well-known object of interest near Naples. It is now an ivy-grown, but venerated ruin, although so late as 1326 it was nearly perfect.]