234*. Charles Palissot de Montenoy. Dramatist.
[Born at Nancy, in France, 1730. Died, 1814. Aged 84.]
Celebrated chiefly for his comedy of the “Cercle,” in which, by his ridicule of Rousseau, he gave offence to the philosophical literati of France, with whom he waged continual literary war. In 1760, he produced his comedy of “Les Philosophes;” in 1764, the “Dunciade.” His works are not distinguished by richness of invention or copiousness of ideas; but his style is natural, easy and correct.
[Bust to come.]
235. Marie Jeanne Vaubernier, Comtesse du Barry.
[Born at Vaucouleurs, in France, 1746. Guillotined, 1793. Aged 47.]
Of humble parentage. Quitting a convent in Paris into which she had entered at an early age, she worked as a milliner when fifteen years old. Shortly afterwards she became the mistress of the Count du Barry, a dissolute man of fashion, and by him was introduced to Louis XV., who captivated by her beauty and unrestrained manners, induced the brother of the Count to make Mademoiselle Vaubernier his lawful wife. La Comtesse du Barry, received at Versailles, soon acquired an ascendancy over the licentious monarch and his court. She exercised supreme sway, and held in her hands the power of life and death—promotion and disgrace. Her extravagance was boundless. At the death of Louis in 1774, she was shut up in a convent, where she became religious. Released from her imprisonment by Louis XVI., she conducted herself with decorum, but too late for any earthly happiness she might derive from repentance. In 1793, the revolutionists took her life because she had devoted it to the service of the Royal family, for whom, it would appear, she had sold her diamonds. She was much pitied at the scaffold, where she betrayed great want of courage.
[From the marble in the Louvre, by Pajou. A very beautiful work delicately chiselled, and full of life and softness. It is signed and dated 1772. The bust at Versailles is a repetition, dated 1773.]