295. Jacques Benigne Bossuet. Prelate of France.
[Born at Dijon, 1627. Died in Paris, 1704. Aged 77.]
According to Voltaire, the eloquence of Bossuet stands unrivalled. His Universal History, published for his pupil, the son of Louis XIV., written to point out the influence of God animating all the changes of historic events—an idea expressed in the noble aphorism “l’homme s’agite: Dieu le mène;” (man struggles and strives: but it is God who leads him). His sermons, funeral orations, and controversial publications, place him in the very highest rank as a writer. According to Eustace, who wrote the “Classical Tour,” it is the especial glory of Bossuet to have compelled the French language “to become the vehicle of sublimity.” In the second part of the Universal History, the truths of Christianity are vindicated with a lofty eloquence that is without equal in France. One of Bossuet’s controversial works against Protestantism, converted Gibbon, in his younger years, to the Roman faith. On one occasion, he was the opponent in argument of the mild Fénélon. Nothing can be more striking than the contrast between the styles of the fiery Bossuet and the gentler, but equally pious and learned author of “Telemachus.” The illustrious Bossuet was buried in the Cathedral of Meaux, of which city, his friend, Louis XIV., had appointed him Bishop. Hence he is still popularly styled “The Eagle of Meaux.”
[From a marble in the Louvre, by A. Coysevox.]
296. François de Salignac de Lamotte Fénélon. Archbishop and Writer.
[Born at Perigord, 1651. Died 1715. Aged 64.]
The author of “Telemachus.” A meek, pious, wise, and gentle-hearted man who passed through life loving all, and doing good to all. The tutor of the Duke of Burgundy, the King’s grandson, in whose self-willed and ungovernable temper, his influence and skilful management effected a moral conversion. Having engaged in a religious controversy with the celebrated Bossuet, who procured his writings to be condemned at Rome, and subsequently incurring the displeasure of Louis XIV., was banished by that monarch. The resignation of the archbishop caused the king to repent of his injustice, and Fénélon was recalled. Though possessed of high station, great talents, and sound learning, a perfect example of humility. The style of Fénélon is melodious, translucent.
[From a marble in the Louvre, by Coysevox, and taken from the life. The costume is that of a bishop of the time, with the Order of the Holy Spirit round the neck; this Order was broken at the first Revolution: the form of the cross is still apparent. The statue at Versailles is by Felix Lecomte.]