The Jewels of Aptor

by Samuel R. Delany

Something touched her waist. "Gnnnnnggggg," she said. "Don't do that." It touched her on the leg, took hold of her ankle, and pulled. "Watch out," she said.

It pulled again. She raised her foot, and it was tugged sideways a good foot and a half and set on solid flooring. Then a hand (her foot was not released) took her arm, and another held her waist, and tugged. She stiffened for one instant before she remembered the number of limbs her companion had. Then she came off the ladder, sideways into the dark, afraid to put her other foot down lest she step headlong into the seventy-five foot plus shaft.

But he tugged again, and in losing her balance, her foot came down on cool, solid stone. Holding her arm now, he led her along the tunnel. They passed into a steep incline. Now down the upper arm, she recalled.

"I feel like Eurydice," she said aloud.

You ... funny ... an echoing voice sounded in her skull.

"Hey," she said. "What was that?" But the voice was silent. The wall turned abruptly and the floor leveled out. They were in a section of the passage now that corresponded roughly to the statue's radial artery. At the wrist, there was a light. They mounted a stairway, came out a trap door, and found themselves standing high in the temple. Below them the great room spread, vastly deep, and still empty. Beside them, the stems of the bronze wheat stalks rose up through the fist and spired another fifty feet before breaking into clusters of golden grain and leaves. Across from them, over the dark curve of Gargantuan chest, in the statue's other hand, the shaft of the scythe leaned away into shadow.

"Look," she said. "You follow me now." She started back along the top of the forearm and then began the tedious climb over the rippling biceps, till at last they reached the broad shoulder. They walked across the hollow above the collar bone until they stood just below the great scooping shell of the ear.

She took the paper bag she had stuffed into her belt, tied one end of the string around the neck, and then, holding the other, she heaved the bag up and over the ear. She got the other end of the string, knotted it as high as she could reach, and gave it a tug. "I hope this works," she said. "I had it all figured out yesterday. The tensile strength of this stuff is about two hundred and fifty pounds, which ought to do for you and me." She planted her foot on the swell of the neck tendon, and in seven leaps she made it to the lobe of the ear. She swung around into the hollow, using the frontal wing as a pivot. Crouching in the hollow trumpet, she looked down at Snake. "Come up," she said. "Hurry up."

Snake joined her a moment later.

The ear was hollow, too. It led back into a cylindrical chamber which went up through the head of the god. The architect who had designed the statue had conveniently left the god's lid flipped. They climbed the ladder and emerged amid the tangle of pipes which represented the hair of the god. They made their way forward through the mass of pipes to where the forehead sloped dangerously forward. They could see the foreshortened nose and the rim of the statue's middle eye above that. There wasn't much of anything after that for the next thousand feet until the base of the altar. "Now you can really be some help," she told him. "Hold on to my wrist and let me down. I'll get the jewel."