It seems odd that Marshal Blucher's favourite book should have been Klopstock's 'Messiah,' and Napoleon Buonaparte's favourites, Ossian's 'Poems' and the 'Sorrows of Werther.' But Napoleon's range of reading was very extensive. It included Homer, Virgil, Tasso; novels of all countries; histories of all times; mathematics, legislation, and theology. He detested what he called "the bombast and tinsel" of Voltaire. The praises of Homer and Ossian he was never wearied of sounding. "Read again," he said to an officer on board the BELLEROPHO—"read again the poet of Achilles; devour Ossian. Those are the poets who lift up the soul, and give to man a colossal greatness." [1914]
The Duke of Wellington was an extensive reader; his principal favourites were Clarendon, Bishop Butler, Smith's 'Wealth of Nations,' Hume, the Archduke Charles, Leslie, and the Bible. He was also particularly interested by French and English memoirs—more especially the French MEMOIRES POUR SERVIR of all kinds. When at Walmer, Mr. Gleig says, the Bible, the Prayer Book, Taylor's 'Holy Living and Dying,' and Caesar's 'Commentaries,' lay within the Duke's reach; and, judging by the marks of use on them, they must have been much read and often consulted.
While books are among the best companions of old age, they are often the best inspirers of youth. The first book that makes a deep impression on a young man's mind, often constitutes an epoch in his life. It may fire the heart, stimulate the enthusiasm, and by directing his efforts into unexpected channels, permanently influence his character. The new book, in which we form an intimacy with a new friend, whose mind is wiser and riper than our own, may thus form an important starting-point in the history of a life. It may sometimes almost be regarded in the light of a new birth.
From the day when James Edward Smith was presented with his first botanical lesson-book, and Sir Joseph Banks fell in with Gerard's 'Herbal'—from the time when Alfieri first read Plutarch, and Schiller made his first acquaintance with Shakspeare, and Gibbon devoured the first volume of 'The Universal History'—each dated an inspiration so exalted, that they felt as if their real lives had only then begun.
In the earlier part of his youth, La Fontaine was distinguished for his idleness, but hearing an ode by Malherbe read, he is said to have exclaimed, "I too am a poet," and his genius was awakened. Charles Bossuet's mind was first fired to study by reading, at an early age, Fontenelle's 'Eloges' of men of science. Another work of Fontenelle's—'On the Plurality of Worlds'—influenced the mind of Lalande in making choice of a profession. "It is with pleasure," says Lalande himself in a preface to the book, which he afterwards edited, "that I acknowledge my obligation to it for that devouring activity which its perusal first excited in me at the age of sixteen, and which I have since retained."
In like manner, Lacepede was directed to the study of natural history by the perusal of Buffon's 'Histoire Naturelle,' which he found in his father's library, and read over and over again until he almost knew it by heart. Goethe was greatly influenced by the reading of Goldsmith's 'Vicar of Wakefield,' just at the critical moment of his mental development; and he attributed to it much of his best education. The reading of a prose 'Life of Gotz vou Berlichingen' afterwards stimulated him to delineate his character in a poetic form. "The figure of a rude, well-meaning self-helper," he said, "in a wild anarchic time, excited my deepest sympathy."
Keats was an insatiable reader when a boy; but it was the perusal of the 'Faerie Queen,' at the age of seventeen, that first lit the fire of his genius. The same poem is also said to have been the inspirer of Cowley, who found a copy of it accidentally lying on the window of his mother's apartment; and reading and admiring it, he became, as he relates, irrecoverably a poet.
Coleridge speaks of the great influence which the poems of Bowles had in forming his own mind. The works of a past age, says he, seem to a young man to be things of another race; but the writings of a contemporary "possess a reality for him, and inspire an actual friendship as of a man for a man. His very admiration is the wind which fans and feeds his hope. The poems themselves assume the properties of flesh and blood." [1915]
But men have not merely been stimulated to undertake special literary pursuits by the perusal of particular books; they have been also stimulated by them to enter upon particular lines of action in the serious business of life. Thus Henry Martyn was powerfully influenced to enter upon his heroic career as a missionary by perusing the Lives of Henry Brainerd and Dr. Carey, who had opened up the furrows in which he went forth to sow the seed.
Bentham has described the extraordinary influence which the perusal of 'Telemachus' exercised upon his mind in boyhood. "Another book," said he, "and of far higher character [19than a collection of Fairy Tales, to which he refers], was placed in my hands. It was 'Telemachus.' In my own imagination, and at the age of six or seven, I identified my own personality with that of the hero, who seemed to me a model of perfect virtue; and in my walk of life, whatever it may come to be, why [19said I to myself every now and then]—why should not I be a Telemachus?.... That romance may be regarded as THE FOUNDATION-STONE OF MY WHOLE CHARACTER—the starting-post from whence my career of life commenced. The first dawning in my mind of the 'Principles of Utility' may, I think, be traced to it." [1916]