To these appeals, the King turned a deaf ear. He was ready to spend money and grant favours; but liberty he would not give. He regarded Böttgher as his slave. In this position, the persecuted man kept on working for some time, till, at the end of a year or two, he grew negligent. Disgusted with the world and with himself, he took to drinking. Such is the force of example, that it no sooner became known that Böttgher had betaken himself to this vice, than the greater number of the workmen at the Meissen factory became drunkards too. Quarrels and fightings without end were the consequence, so that the troops were frequently called upon to interfere and keep peace among the “Porzellanern,” as they were nicknamed. After a while, the whole of them, more than three hundred, were shut up in the Albrechtsburg, and treated as prisoners of state.
Böttgher at last fell seriously ill, and in May, 1713, his dissolution was hourly expected. The King, alarmed at losing so valuable a slave, now gave him permission to take carriage exercise under a guard; and, having somewhat recovered, he was allowed occasionally to go to Dresden. In a letter written by the King in April, 1714, Böttgher was promised his full liberty; but the offer came too late. Broken in body and mind, alternately working and drinking, though with occasional gleams of nobler intention, and suffering under constant ill-health, the result of his enforced confinement, Böttgher lingered on for a few years more, until death freed him from his sufferings on the 13th March, 1719, in the thirty-fifth year of his age. He was buried at night—as if he had been a dog—in the Johannis Cemetery of Meissen. Such was the treatment and such the unhappy end, of one of Saxony’s greatest benefactors.
The porcelain manufacture immediately opened up an important source of public revenue, and it became so productive to the Elector of Saxony, that his example was shortly after followed by most European monarchs. Although soft porcelain had been made at St. Cloud fourteen years before Böttgher’s discovery, the superiority of the hard porcelain soon became generally recognised. Its manufacture was begun at Sèvres in 1770, and it has since almost entirely superseded the softer material. This is now one of the most thriving branches of French industry, of which the high quality of the articles produced is certainly indisputable.
The career of Josiah Wedgwood, the English potter, was less chequered and more prosperous than that of either Palissy or Böttgher, and his lot was cast in happier times. Down to the middle of last century England was behind most other nations of the first order in Europe in respect of skilled industry. Although there were many potters in Staffordshire—and Wedgwood himself belonged to a numerous clan of potters of the same name—their productions were of the rudest kind, for the most part only plain brown ware, with the patterns scratched in while the clay was wet. The principal supply of the better articles of earthenware came from Delft in Holland, and of drinking stone pots from Cologne. Two foreign potters, the brothers Elers from Nuremberg, settled for a time in Staffordshire, and introduced an improved manufacture, but they shortly after removed to Chelsea, where they confined themselves to the manufacture of ornamental pieces. No porcelain capable of resisting a scratch with a hard point had yet been made in England; and for a long time the “white ware” made in Staffordshire was not white, but of a dirty cream colour. Such, in a few words, was the condition of the pottery manufacture when Josiah Wedgwood was born at Burslem in 1730. By the time that he died, sixty-four years later, it had become completely changed. By his energy, skill, and genius, he established the trade upon a new and solid foundation; and, in the words of his epitaph, “converted a rude and inconsiderable manufacture into an elegant art and an important branch of national commerce.”
Josiah Wedgwood was one of those indefatigable men who from time to time spring from the ranks of the common people, and by their energetic character not only practically educate the working population in habits of industry, but by the example of diligence and perseverance which they set before them, largely influence the public activity in all directions, and contribute in a great degree to form the national character. He was, like Arkwright, the youngest of a family of thirteen children. His grandfather and granduncle were both potters, as was also his father who died when he was a mere boy, leaving him a patrimony of twenty pounds. He had learned to read and write at the village school; but on the death of his father he was taken from it and set to work as a “thrower” in a small pottery carried on by his elder brother. There he began life, his working life, to use his own words, “at the lowest round of the ladder,” when only eleven years old. He was shortly after seized by an attack of virulent smallpox, from the effects of which he suffered during the rest of his life, for it was followed by a disease in the right knee, which recurred at frequent intervals, and was only got rid of by the amputation of the limb many years later. Mr. Gladstone, in his eloquent Éloge on Wedgwood recently delivered at Burslem, well observed that the disease from which he suffered was not improbably the occasion of his subsequent excellence. “It prevented him from growing up to be the active, vigorous English workman, possessed of all his limbs, and knowing right well the use of them; but it put him upon considering whether, as he could not be that, he might not be something else, and something greater. It sent his mind inwards; it drove him to meditate upon the laws and secrets of his art. The result was, that he arrived at a perception and a grasp of them which might, perhaps, have been envied, certainly have been owned, by an Athenian potter.” [89]
When he had completed his apprenticeship with his brother, Josiah joined partnership with another workman, and carried on a small business in making knife-hafts, boxes, and sundry articles for domestic use. Another partnership followed, when he proceeded to make melon table plates, green pickle leaves, candlesticks, snuffboxes, and such like articles; but he made comparatively little progress until he began business on his own account at Burslem in the year 1759. There he diligently pursued his calling, introducing new articles to the trade, and gradually extending his business. What he chiefly aimed at was to manufacture cream-coloured ware of a better quality than was then produced in Staffordshire as regarded shape, colour, glaze, and durability. To understand the subject thoroughly, he devoted his leisure to the study of chemistry; and he made numerous experiments on fluxes, glazes, and various sorts of clay. Being a close inquirer and accurate observer, he noticed that a certain earth containing silica, which was black before calcination, became white after exposure to the heat of a furnace. This fact, observed and pondered on, led to the idea of mixing silica with the red powder of the potteries, and to the discovery that the mixture becomes white when calcined. He had but to cover this material with a vitrification of transparent glaze, to obtain one of the most important products of fictile art—that which, under the name of English earthenware, was to attain the greatest commercial value and become of the most extensive utility.
Wedgwood was for some time much troubled by his furnaces, though nothing like to the same extent that Palissy was; and he overcame his difficulties in the same way—by repeated experiments and unfaltering perseverance. His first attempts at making porcelain for table use was a succession of disastrous failures,—the labours of months being often destroyed in a day. It was only after a long series of trials, in the course of which he lost time, money, and labour, that he arrived at the proper sort of glaze to be used; but he would not be denied, and at last he conquered success through patience. The improvement of pottery became his passion, and was never lost sight of for a moment. Even when he had mastered his difficulties, and become a prosperous man—manufacturing white stone ware and cream-coloured ware in large quantities for home and foreign use—he went forward perfecting his manufactures, until, his example extending in all directions, the action of the entire district was stimulated, and a great branch of British industry was eventually established on firm foundations. He aimed throughout at the highest excellence, declaring his determination “to give over manufacturing any article, whatsoever it might be, rather than to degrade it.”
Wedgwood was cordially helped by many persons of rank and influence; for, working in the truest spirit, he readily commanded the help and encouragement of other true workers. He made for Queen Charlotte the first royal table-service of English manufacture, of the kind afterwards called “Queen’s-ware,” and was appointed Royal Potter; a title which he prized more than if he had been made a baron. Valuable sets of porcelain were entrusted to him for imitation, in which he succeeded to admiration. Sir William Hamilton lent him specimens of ancient art from Herculaneum, of which he produced accurate and beautiful copies. The Duchess of Portland outbid him for the Barberini Vase when that article was offered for sale. He bid as high as seventeen hundred guineas for it: her grace secured it for eighteen hundred; but when she learnt Wedgwood’s object she at once generously lent him the vase to copy. He produced fifty copies at a cost of about 2500l., and his expenses were not covered by their sale; but he gained his object, which was to show that whatever had been done, that English skill and energy could and would accomplish.
Wedgwood called to his aid the crucible of the chemist, the knowledge of the antiquary, and the skill of the artist. He found out Flaxman when a youth, and while he liberally nurtured his genius drew from him a large number of beautiful designs for his pottery and porcelain; converting them by his manufacture into objects of taste and excellence, and thus making them instrumental in the diffusion of classical art amongst the people. By careful experiment and study he was even enabled to rediscover the art of painting on porcelain or earthenware vases and similar articles—an art practised by the ancient Etruscans, but which had been lost since the time of Pliny. He distinguished himself by his own contributions to science, and his name is still identified with the Pyrometer which he invented. He was an indefatigable supporter of all measures of public utility; and the construction of the Trent and Mersey Canal, which completed the navigable communication between the eastern and western sides of the island, was mainly due to his public-spirited exertions, allied to the engineering skill of Brindley. The road accommodation of the district being of an execrable character, he planned and executed a turnpike-road through the Potteries, ten miles in length. The reputation he achieved was such that his works at Burslem, and subsequently those at Etruria, which he founded and built, became a point of attraction to distinguished visitors from all parts of Europe.
The result of Wedgwood’s labours was, that the manufacture of pottery, which he found in the very lowest condition, became one of the staples of England; and instead of importing what we needed for home use from abroad, we became large exporters to other countries, supplying them with earthenware even in the face of enormous prohibitory duties on articles of British produce. Wedgwood gave evidence as to his manufactures before Parliament in 1785, only some thirty years after he had begun his operations; from which it appeared, that instead of providing only casual employment to a small number of inefficient and badly remunerated workmen, about 20,000 persons then derived their bread directly from the manufacture of earthenware, without taking into account the increased numbers to which it gave employment in coal-mines, and in the carrying trade by land and sea, and the stimulus which it gave to employment in many ways in various parts of the country. Yet, important as had been the advances made in his time, Mr. Wedgwood was of opinion that the manufacture was but in its infancy, and that the improvements which he had effected were of but small amount compared with those to which the art was capable of attaining, through the continued industry and growing intelligence of the manufacturers, and the natural facilities and political advantages enjoyed by Great Britain; an opinion which has been fully borne out by the progress which has since been effected in this important branch of industry. In 1852 not fewer than 84,000,000 pieces of pottery were exported from England to other countries, besides what were made for home use. But it is not merely the quantity and value of the produce that is entitled to consideration, but the improvement of the condition of the population by whom this great branch of industry is conducted. When Wedgwood began his labours, the Staffordshire district was only in a half-civilized state. The people were poor, uncultivated, and few in number. When Wedgwood’s manufacture was firmly established, there was found ample employment at good wages for three times the number of population; while their moral advancement had kept pace with their material improvement.