I cannot too often remember that to be deeply interested and to be highly satisfied are not always commensurate. Apply this to the affecting and yet unnatural passages of the Stranger or of John Bull, and to the finest passages in Shakspere, such as the death of Cleopatra or Hamlet.
A SUNDOG Dec. 15, 1804
Saw the limb of a rainbow footing itself on the sea at a small apparent distance from the shore, a thing of itself—no substrate cloud or even mist visible—but the distance glimmered through it as through a thin semi-transparent hoop.
THE SQUARE, THE CIRCLE, THE PYRAMID
To be and to act, two in Intellect (that mother of orderly multitude, and half-sister of Wisdom and Madness) but one in essence = to rest, and to move = □ and a ○! and out of the infinite combinations of these, from the more and the less, now of one now of the other, all pleasing figures and the sources of all pleasure arise. But the pyramid, that base of stedfastness that rises, yet never deserts itself nor can, approaches to the ○. Sunday. Midnight. Malta. December 16th, 1804.
THE PYRAMID IN ART