In nature all things are individual, but a word is but an arbitrary character for a whole class of things; so that the same description may in almost all cases be applied to twenty different appearances; and in addition to the difficulty of the thing itself, I neither am, nor ever was, a good hand at description. I see what I write, but, alas! I cannot write what I see. From the Oder Seich we entered a second wood; and now the snow met us in large masses, and we walked for two miles knee-deep in it, with an inexpressible fatigue, till we came to the mount called Little Brocken; here even the firs deserted us, or only now and then a patch of them, wind-shorn, no higher than one's knee, matted and cowering to the ground, like our thorn bushes on the highest sea-hills. The soil was plashy and boggy; we descended and came to the foot of the Great Brocken without a river—the highest mountain in all the north of Germany, and the seat of innumerable superstitions. On the first of May all the witches dance here at midnight; and those who go may see their own ghosts walking up and down, with a little billet on the back, giving the names of those who had wished them there; for "I wish you on the top of the Brocken," is a common curse throughout the whole empire. Well, we ascended—the soil boggy—and at last reached the height, which is 573 toises [1] above the level of the sea. We visited the Blocksberg, a sort of bowling-green, enclosed by huge stones, something like those at Stonehenge, and this is the witches' ball-room; thence proceeded to the house on the hill, where we dined; and now we descended. In the evening about seven we arrived at Elbingerode. At the inn they brought us an album, or stammbuch, requesting that we would write our names, and something or other as a remembrance that we had been there. I wrote the following lines, which contain a true account of my journey from the Brocken to Elbingerode.
I stood on Brocken's sovran height, and saw
Woods crowding upon woods, hills over hills;
A surging scene, and only limited
By the blue distance. Wearily my way
Downward I dragged, through fir groves evermore
Where bright green moss moved in sepulchral forms,
Speckled with sunshine; and, but seldom heard,
The sweet bird's song become a hollow sound;
And the gale murmuring indivisibly,
Reserved its solemn murmur, more distinct
From many a note of many a waterbreak,
And the brook's chatter; on whose islet stones
The dingy kidling, with its tinkling bell,
Leapt frolicksome, or old romantic goat
Sat, his white beard slow waving. I moved on
With low and languid thought, for I had found
That grandest scenes have but imperfect charms
Where the eye vainly wanders, nor beholds
One spot with which the heart associates
Holy remembrances of child or friend,
Or gentle maid, our first and early love,
Or father, or the venerable name
Of our adored country. O thou Queen,
Thou delegated Deity of Earth,
O "dear, dear" England! how my longing eyes
Turned westward, shaping in the steady clouds
Thy sands and high white cliffs! Sweet native isle,
This heart was proud, yea, mine eyes swam with tears
To think of thee; and all the goodly view
From sovran Brocken, woods and woody hills
Floated away, like a departing dream,
Feeble and dim. Stranger, these impulses
Blame thou not lightly; nor will I profane,
With hasty judgment or injurious doubt,
That man's sublimer spirit, who can feel
That God is every where, the God who framed
Mankind to be one mighty brotherhood,
Himself our Father, and the world our home.
We left Elbingerode, May 14th, and travelled for half a mile through a wild country, of bleak stony hills by our side, with several caverns, or rather mouths of caverns, visible in their breasts; and now we came to Rubilland,—Oh, it was a lovely scene! Our road was at the foot of low hills, and here were a few neat cottages; behind us were high hills, with a few scattered firs, and flocks of goats visible on the topmost crags. On our right hand a fine shallow river about thirty yards broad, and beyond the river a crescent hill clothed with firs, that rise one above another, like spectators in an amphitheatre. We advanced a little farther,—the crags behind us ceased to be visible, and now the whole was one and complete. All that could be seen was the cottages at the foot of the low green hill, (cottages embosomed in fruit trees in blossom,) the stream, and the little crescent of firs. I lingered here, and unwillingly lost sight of it for a little while. The firs were so beautiful, and the masses of rocks, walls, and obelisks started up among them in the very places where, if they had not been, a painter with a poet's feeling would have imagined them. Crossed the river (its name Bodi), entered the sweet wood, and came to the mouth of the cavern, with the man who shews it. It was a huge place, eight hundred feet in length, and more in depth, of many different apartments; and the only thing that distinguished it from other caverns was, that the guide, who was really a character, had the talent of finding out and seeing uncommon likenesses in the different forms of the stalactite. Here was a nun;—this was Solomon's temple;—that was a Roman Catholic Chapel;—here was a lion's claw, nothing but flesh and blood wanting to make it completely a claw! This was an organ, and had all the notes of an organ, etc. etc. etc.; but, alas! with all possible straining of my eyes, ears, and imagination, I could see nothing but common stalactite, and heard nothing but the dull ding of common cavern stones. One thing was really striking;—a huge cone of stalactite hung from the roof of the largest apartment, and, on being struck, gave perfectly the sound of a death-bell. I was behind, and heard it repeatedly at some distance, and the effect was very much in the fairy kind,—gnomes, and things unseen, that toll mock death-bells for mock funerals. After this, a little clear well and a black stream pleased me the most; and multiplied by fifty, and coloured ad libitum, might be well enough to read of in a novel or poem. We returned, and now before the inn, on the green plat around the Maypole, the villagers were celebrating Whit-Tuesday. This Maypole is hung as usual with garlands on the top, and, in these garlands, spoons, and other little valuables, are placed. The high smooth round pole is then well greased; and now he who can climb up to the top may have what he can get,—a very laughable scene as you may suppose, of awkwardness and agility, and failures on the very brink of success. Now began a dance. The women danced very well, and, in general, I have observed throughout Germany that the women in the lower ranks degenerate far less from the ideal of a woman, than the men from that of man. The dances were reels and waltzes; but chiefly the latter. This dance is, in the higher circles, sufficiently voluptuous; but here the emotions of it were far more faithful interpreters of the passion, which, doubtless, the dance was intended to shadow; yet, ever after the giddy round and round is over, they walked to music, the woman laying her arm, with confident affection, on the man's shoulders, or around his neck. The first couple at the waltzing was a very fine tall girl, of two or three and twenty, in the full bloom and growth of limb and feature, and a fellow with huge whiskers, a long tail, and woollen night-cap; he was a soldier, and from the more than usual glances of the girl, I presumed was her lover. He was, beyond compare, the gallant and the dancer of the party. Next came two boors: one of whom, in the whole contour of his face and person, and, above all, in the laughably would-be frolicksome kick out of his heel, irresistibly reminded me of Shakespeare's Slender, and the other of his Dogberry. Oh! two such faces, and two such postures! O that I were an Hogarth! What an enviable gift it is to have a genius in painting! Their partners were pretty lasses, not so tall as the former, and danced uncommonly light and airy. The fourth couple was a sweet girl of about seventeen, delicately slender, and very prettily dressed, with a full-blown rose in the white ribbon that went round her head, and confined her reddish-brown hair; and her partner waltzed with a pipe in his mouth, smoking all the while; and during the whole of this voluptuous dance, his countenance was a fair personification of true German phlegm. After these, but, I suppose, not actually belonging to the party, a little ragged girl and ragged boy, with his stockings about his heels, waltzed and danced;—waltzing and dancing in the rear most entertainingly. But what most pleased me, was a little girl of about three or four years old, certainly not more than four, who had been put to watch a little babe, of not more than a year old (for one of our party had asked), and who was just beginning to run away, the girl teaching him to walk, and who was so animated by the music, that she began to waltz with him, and the two babes whirled round and round, hugging and kissing each other, as if the music had made them mad. There were two fiddles and a bass viol. The fiddlers,—above all, the bass violer,—most Hogarthian phizzes! God love them! I felt far more affection for them than towards any other set of human beings I have met with since I have been in Germany, I suppose because they looked so happy!
[Footnote 1: marked with an asterisk in the proofing (not the original text), but not explained further.]
CHAPTER VIII
RETURN TO ENGLAND; "WALLENSTEIN", AND THE "MORNING POST"
On the 21st May, Coleridge wrote the following letter in which he informs Josiah Wedgwood what he had done in Germany, and what he expected to do with the knowledge which he had acquired there.
LETTER 85. TO JOSIAH WEDGWOOD
May 21st, 1799. Gottingen.
My dear sir,