At present I must be content to tell you something cheerful. My health is very much better. I am stronger in every respect, and am not injured by study, or the act of sitting at my writing desk; but my eyes suffer if at any time I have been intemperate in the use of candle-light. This account supposes another, namely, that my mind is calm, and more at ease. My dear sir, when I was last with you at Stowey, my heart was often full, and I could scarcely keep from communicating to you the tale of my distresses, but could I add to your depression, when you were low? or how interrupt, or cast a shade on your good spirits, that were so rare, and so precious to you? …

I found no comfort but in the driest speculations;—in the 'Ode to Dejection', which you were pleased with. These lines, in the original, followed the line "My shaping spirit of imagination,"—

For not to think of what I needs must feel,
But to be still and patient, all I can,
And haply by abstruse research to steal
From my own nature all the natural man;
This was my sole resource, my only plan
And that which suits a part infests the whole,
And now is almost grown the temper [2] of my soul.

I give you these lines for the spirit, and not for the poetry. …

But better days are arrived, and are still to come, I have had Visitations of Hope—that I may yet be something of which those who love me may be proud.

I cannot write that without recalling dear Poole. I have heard twice, and written twice, and I fear by a strange fatality, one of the letters will have missed him. Leslie [3] was here some time ago. I was very much pleased with him. And now I will tell you what I am doing. I dedicate three days in the week to the 'Morning Post', and shall hereafter write, for the far greater part, such things as will be of as permanent interest as any thing I can hope to write; and you will shortly see a little essay of mine, justifying the writing in a newspaper.

My comparison of the French with the Roman Empire was very favourably received. The poetry which I have sent is merely the emptying out of my desk. The epigrams are wretched indeed, but they answered Stuart's purpose, better than better things. I ought not to have given any signature to them whatsoever. I never dreamt of acknowledging either them, or the 'Ode to the Rain'. As to feeble expressions, and unpolished lines—there is the rub! Indeed, my dear sir, I do value your opinion very highly. I think your judgment on the sentiment, the imagery, the flow of a poem, decisive; at least, if it differed from my own, and if after frequent consideration mine remained different, it would leave me at least perplexed. For you are a perfect electrometer in these things—but in point of poetic diction, I am not so well satisfied that you do not require a certain aloofness from the language of real life, which I think deadly to poetry.

Very soon however I shall present you from the press with my opinions full on the subject of style, both in prose and verse; and I am confident of one thing, that I shall convince you that I have thought much and patiently on the subject, and that I understand the whole strength of my antagonist's cause. For I am now busy on the subject, and shall in a very few weeks go to press with a volume on the prose writings of Hall, Milton, and Taylor; and shall immediately follow it up with an essay on the writings of Dr. Johnson and Gibbon, and in these two volumes I flatter myself I shall present a fair history of English Prose. If my life and health remain, and I do but write half as much, and as regularly as I have done during the last six weeks, this will be finished by January next; and I shall then put together my memorandum-book on the subject of Poetry. In both I have endeavoured sedulously to state the facts and the differences clearly and accurately; and my reasons for the preference of one style to another are secondary to this.

Of this be assured, that I will never give any thing to the world in 'propria persona' in my own name which I have not tormented with the file. I sometimes suspect that my foul copy would often appear to general readers more polished than my fair copy. Many of the feeble and colloquial expressions have been industriously substituted for others which struck me as artificial, and not standing the test; as being neither the language of passion, nor distinct conceptions. Dear sir, indulge me with looking still further on in my literary life.

I have, since my twentieth year, meditated an heroic poem on the 'Siege of Jerusalem', by Titus. This is the pride and the stronghold of my hope, but I never think of it except in my best moods. The work to which I dedicate the ensuing years of my life, is one which highly pleased Leslie, in prospective, and my paper will not let me prattle to you about it. I have written what you more wished me to write, all about myself.