I feel it much, and very uncomfortable, that, loving you as a brother, and feeling pleasure in pouring out my heart to you, I should so seldom be able to write a letter to you, unconnected with business, and uncontaminated with excuses and apologies. I give every moment I can spare from my garden and the Reviews (i.e.) from my potatoes and meat to the poem ("Religious Musings"), but I go on slowly, for I torture the poem and myself with corrections; and what I write in an hour, I sometimes take two or three days in correcting. You may depend on it, the poem and prefaces will take up exactly the number of pages I mentioned, and I am extremely anxious to have the work as perfect as possible, and which I cannot do, if it be finished immediately. The "Religious Musings" I have altered monstrously, since I read them to you and received your criticisms. I shall send them to you in my next. The Sonnets I will send you with the "Musings". God love you!

From your affectionate friend,

S. T. COLERIDGE.]

Shortly afterwards, mistaking the object of a message from Mr. Cottle for an application for "copy" for the press, Coleridge wrote the following letter with reference to the painful subject:

LETTER 25

Redcliff Hill, February 22, 1796.

My dear Sir,

It is my duty and business to thank God for all his dispensations, and to believe them the best possible; but, indeed, I think I should have been more thankful, if He had made me a journeyman shoemaker, instead of an author by trade. I have left my friends; I have left plenty; I have left that ease which would have secured a literary immortality, and have enabled me to give to the public works conceived in moments of inspiration, and polished with leisurely solicitude; and, alas! for what have I left them? For—who deserted me in the hour of distress, and for a scheme of virtue impracticable and romantic! So I am forced to write for bread—write the flights of poetic enthusiasm, when every minute I am hearing a groan from my wife! Groans, and complaints, and sickness! The present hour I am in a quick-set hedge of embarrassment, and, whichever way I turn, a thorn runs into me. The future is cloud and thick darkness. Poverty, perhaps, and the thin faces of them that want bread looking up to me! Nor is this all. My happiest moments for composition are broken in upon by the reflection that I must make haste. "I am too late." "I am already months behind." "I have received my pay beforehand."——O wayward and desultory spirit of Genius, ill can'st thou brook a taskmaster! The tenderest touch from the hand of obligation wounds thee like a scourge of scorpions!

I have been composing in the fields this morning, and came home to write down the first rude sheet of my Preface, when I heard that your man had brought a note from you. I have not seen it, but I guess its contents. I am writing as fast as I can. Depend on it, you shall not be out of pocket for me. I feel what I owe you, and, independently of this, I love you as a friend,—indeed so much that I regret, seriously regret, that you have been my copyholder.

If I have written petulantly, forgive me. God knows I am sore all over. God bless you! and believe me that, setting gratitude aside, I love and esteem you, and have your interest at heart full as much as my own.